Swimming Past Barriers
Why don't more of us know how to swim? As I've discussed in several of my blogs through the past few months, I'm a firm believer that everyone should master this basic and essential survival skill.  As fervently, I believe that encouraging comfort in and around water is the key to watershaping's future:  Without it, why
#22: Flagstone Beach Entry
I'm a big fan of beach entries:  As I see it, they wrap at least five important design and usage issues up in one neat package. First, they provide easy access to the pool.  Second, that access is gradual, which many bathers prefer.  Third, they bring a bit of visual drama to the water's edge - and then repeat it where the slope breaks off into deeper water.  Fourth, they create an easy
Aquatic Chores
Many of our clients enter into pond ownership with every intention of being actively and intimately involved in upkeep and maintenance. What this often means is that, for the first year or maybe two, they'll net out leaves, clear the skimmer basket and, maybe once a year, will hold their noses (literally or figuratively) and muck out the filter.  But what we've found with our clients
Transparent Advantages
This is the story of a project where I'm still not sure which was tested more - my creativity or my patience. It was one of the first design tasks I tackled after moving to Katy, Texas, in 2009.  In retrospect, it may not have been the ideal time to relocate:  The full force of the Great Recession wasn't clear at that point; I had a job but no direct way to bank on the good reputation I'd built where
Seeking Perfection
'Through the past two years,' wrote Mark Holden to start his January/February 2011 Currents column in WaterShapes, 'a handful of voices in this magazine and elsewhere have called for building pools without drains as a means of virtually eliminating suction-entrapment incidents.  The response to this suggestion has been strong, both for and against.' 'In sifting through some of these discussions . . . one item caught my
Elegance Squared
Through the years, I've come across all sorts of clients with unique motivations and interesting available spaces.  My task in collaborating with each of them centers on carefully evaluating the situation, sorting through various sets of possibilities and, ultimately, delivering a design that hits the mark on all possible levels. This project, however, was a bit different from most:  The client had acquired
Simply Stunning
It always makes me happy to see innovations in watershaping.  As I've mentioned before, there were times in the 1980s when I had the sense that not much was possible beyond what we already had on hand.  But the past 20 years have completely driven off that impression, and I'm happy to say that just about every time I turn around something new jumps to my attention. I have two such developments in mind as I write this, one that appeals to me because of my love of opportunities to
Tools of Enchantment
  'I do not understand how anyone can live without one small place of enchantment to turn to.'      - Marjorie Kinnan Rawlings   As watershapers, we draw upon the sound and presence of water to soothe souls, using nature to guide and inform us.   In the small pond project featured here, for example, the watershape component of the composition is meant to
Rotten Timing
I had a friend many years ago who tried in vain to persuade me to visit Detroit. She'd grown up there, and despite the city's many problems, she still harbored the born-and-raised view that her home town had so many virtues that simply seeing the place would be enough to win me over. I never made the expansive sightseeing trip she'd always urged me to take - no time for that! But as it turned out, I did manage a short visit not long ago when my flight back from Canada and through Detroit was late enough that I missed my connection to Los Angeles. Making matters worse, it was a weather-related problem and I was far from alone in needing to find both accommodations for the night and another way home. Long story short, I stayed the night in a downtown hotel, and the earliest flight I could book the next day was late in the afternoon. I'd wanted to see Isamu Noguchi's famous Horace E. Dodge & Son Memorial Fountain for a long time, and this was my opportunity: I had breakfast and ventured forth. Nothing worked out on that gray, miserable January day: The weather was horrid, the hotel wasn't convenient to the riverfront plaza where the fountain stands so imposingly, and, topping things off, the whole plaza had been rendered inactive by vandals who had raided its maintenance facilities to scrounge the copper plumbing. So the fountain was as dry as a wet, near-freezing day would let it be and my whole accidental visit was a colossal bust. As a sculpture, however, Noguchi's 1978 tribute to the industrial prowess embodied by one of auto manufacturing's leading families is vastly impressive. It's sometimes said that it looks like a gigantic wingnut, but the comparison is unkind and serves, unfairly I think, to undermine the composition's dignity, grandeur and symbolic strength. And it does stand 30 feet tall, with its fountain basin surrounded by an eight-foot-tall, granite-ringed structure that conceals the nozzles and lends an air of mystery to the fountain works. Apparently there's also a choreographed light display that animates the fountain's surface after dark - again, not something I saw on my visit but which looks awesome in photographs (and in the brief video linked here). All is not sad or lost: I was happy to learn in rounding up images to accompany this text that the fountain is operational again and has had its lighting system upgraded with modern LED and sequencing technology. But I have still only seen the functioning plaza and its various features in photographs: What I recall most is a chill wind so penetrating and miserable that I wondered why I'd ever left the airport. Better luck next time?
Small Space, Big City
The current generation of pond designers and installers tends to think big - often very big - and enjoy pursuing projects on large properties in which the basin and its accompanying streams and waterfalls create spaces so naturalistic that it seems like the water's been there forever. That's a noble goal - and one I pursue frequently in my projects for