ARTICLES Archives - Page 239 of 315

Changing Your Tune

As designers, we learn to evaluate landscapes and watershapes with critical eyes, deciding if we like a plant palette, for example, or if a hardscape makes sense or a watershape is sited properly in a yard. These critical skills are important, because clients hire us to pull all of those elements together and develop solutions that suit their needs as well as those of the setting. On rare occasions, a design/build project will stay on a straight course from initial concept to execution. Usually, however, I know that any ideas or biases I carry onto a job site will change and become more complex as I get to know my clients' wants, needs and desires. In other words, my critical skill - my designer's point of view - is consistently

Designing with Stone

Whether laid flat, stacked, loose or alone as an accent, stone is an integral part of most garden designs. Whether used in walls, paths or decks and no matter the type, it's a versatile material and knowing a bit about using it (and how to avoid problems) can be a tremendous help to any landshaper. These days, stone is quarried and can be moved to where you are from anyplace around the globe, provided your clients are ready to pick up the eye-popping cost of freight. But almost every area also has local sources of supply - a big advantage not only because you and your clients can easily see what you're getting, but also because local stone tends to fit better into naturalistic landscapes. Beyond the practicalities of

Riding a Wave

If you've been paying any attention to the media lately, you may have noticed that watershaping is "in" as a big-time topic for television, books, magazines, newspapers and other forms of mass communication. Never in all my years as part of this industry can I recall a time during which the subject of beautiful custom pools, spas, fountains, ponds, streams and interactive bodies of water has won so much attention. It seems as if our society has finally caught on to the power, beauty and excitement of the art form many of us

Combining Solo Players

As the possibilities of learning more and creating unique gardens take hold, the give and take of landscape design can become a kind of addiction both for designer and client. I have experienced this phenomenon again and again, but only occasionally has it been as pronounced as in the case of the shade garden featured here: It's a wonderful example of how this constant drive to create new and beautiful plant combinations and visual planes can grip any landscape professional. A dedicated gardener, my client

Technical Ecstasy

I've always found it interesting that most of us have such a clear divide in our minds between technical and aesthetic thinking. Science tells us that our brains conduct analytical and logical thought processes on one side and creative and emotional thought processes on the other - and that certainly makes sense when you consider

Vertical Gardening

Inspiration - literally, the breath of an idea - can come from any number of sources. While studying the work of 20th-century designer Beatrix Farrand at Dumbarton Oaks in Washington, D.C., for example, I spotted the planting combination of climbing pillar rose and Wisteria and thought her brilliant for having covered the woody Wisteria stems with rose flowers and

Revealed Truth

In discussing my role as a "forensic landscaper" a few months back, I expressed my disappointment in the quality of some of the work I was seeing in my local marketplace - and if the e-mail I've been receiving is any indicator, I am not alone in this experience. Indeed, questionable workmanship may be more prevalent that I ever could have imagined. As a result of this revelation, I will be using this space from time to time to demonstrate the fact that failure is often a better teacher than success and that, by exploring the nature and causes of failed projects, we can all come to a better understanding of the principles and practices that lead to good results. Before I begin, however, I'd like once again to salute

Constructive Collisions

Labels are often deceiving: They don't always tell the whole story. In the green industry, for example, most of us identify ourselves as either designers or contractors, but after 18 years of landshaping, it's clear to me that a majority of us are really to varying degrees both designers and contractors. The very best designers understand

Common to a huge percentage of watershapes, weirs play starring roles in the performance of everything from vanishing edges to naturalistic waterfalls. But common does not mean simple, says hydraulics expert Steve Gutai, who takes this opportunity to explore the physical characteristics of weir types, the ways they influence hydraulic design and basic approaches watershapers can use to keep things straight when pushing water over an edge.

Over the Edge

From the grandest waterfall to the smallest courtyard fountain, water flowing over an edge is one of the most compelling of all watershaping “looks.” Whether it’s a vanishing edge or a slot overflow or a trough, runnel or waterfall, these effects all use one common concept – that is, the weir. Simply defined, a weir is a barrier or dam placed in a channel behind which fluid backs up and then falls through a notch and down the face of the weir. In most watershaping applications, water travels over the weir’s edge or brink and into some kind of lower basin, trough or pool. Physically and visually, these systems are driven by

The restoration of the private lake pictured in this article offered watershaper George Forni a set of challenges that ranged from completely recasting the lake’s structure, filtration and circulation system to devising a variety of design features aimed at bringing both fine aesthetics and ample family fun to the setting. The result, he says, is a project that was unusually comprehensive in scope and unfailingly remarkable in execution.

Welcoming Waters

Every so often, a project comes along that evolves as it rolls along, and what starts out as one set of tasks and parameters morphs to become something entirely different before it’s through. That was certainly the case on this residential-lake project: Located in the hills above Napa Valley, Calif., the job put us in touch with affluent, intelligent, fun-loving clients who had initially contacted us about the straightforward restoration of a dying lake located at the base of a ravine beset with unchecked plant growth and rattlesnakes. None of that was new to us: We