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Why isn't the appropriate use of water a defining, central component in the education of landscape architects? That question has rattled around in my head for a long, long time, basically because it has no adequate or satisfactory answer. I'm a trained landscape architect and, as luck would have it, for nearly 20 years I've had one foot in the pool industry and the other in landscape architecture - and I've always felt like a rare beast moving back and forth between two entirely separate worlds. As I see it, this lack of affinity between these water-related industries has been a limiting factor in the advancement of the watershaping trades. For me, the lack of connection has always seemed nonsensical when it hasn't seemed tragic. As a watershaper, a big part of my work in recent years has been seeking ways to combine the best of both worlds and share what I know with university-level students in landscape architecture departments - students whose chairs I occupied some years ago and who still stand a good chance of graduating without ever having been taught anything at all about how water can
If there's a constant in watershape and landscape design and construction, it's that clients are almost invariably different from one another. Through years of watching how others approach these singularities, we've seen some designers (and builders) who are so set in their ways that they limit what they're willing to provide. Indeed, there even seems to be a bias in the industry at large toward elevating those designers who have a "trademark style." In our company's case, however, repetition of styles and features is not something that gets us going: Rather, we find it much more challenging and interesting to approach each project with fresh eyes and a genuine curiosity about our clients' dreams. To that end, our approach at Verdant Custom Outdoors (San Diego, Calif.) is all about understanding our clients and avoiding any preconceptions about what we think they might want. That in mind, we deliberately approach all clients and projects with a desire to meet individualized needs - a practice that has required us to become totally adaptable when it comes to both design and construction. To be sure, this approach adds a layer of complexity to what we do in that we start from scratch with every project. Our process requires a great deal of research, but as we see it, it's always been an investment of time and resources that constantly
If there's a constant in watershape and landscape design and construction, it's that clients are almost invariably different from one another. Through years of watching how others approach these singularities, we've seen some designers (and builders) who are so set in their ways that they limit what they're willing to provide. Indeed, there even seems to be a bias in the industry at large toward elevating those designers who have a "trademark style." In our company's case, however, repetition of styles and features is not something that gets us going: Rather, we find it much more challenging and interesting to approach each project with fresh eyes and a genuine curiosity about our clients' dreams. To that end, our approach at Verdant Custom Outdoors (San Diego, Calif.) is all about understanding our clients and avoiding any preconceptions about what we think they might want. That in mind, we deliberately approach all clients and projects with a desire to meet individualized needs - a practice that has required us to become totally adaptable when it comes to both design and construction. To be sure, this approach adds a layer of complexity to what we do in that we start from scratch with every project. Our process requires a great deal of research, but as we see it, it's always been an investment of time and resources that constantly
If there's a constant in watershape and landscape design and construction, it's that clients are almost invariably different from one another. Through years of watching how others approach these singularities, we've seen some designers (and builders) who are so set in their ways that they limit what they're willing to provide. Indeed, there even seems to be a bias in the industry at large toward elevating those designers who have a "trademark style." In our company's case, however, repetition of styles and features is not something that gets us going: Rather, we find it much more challenging and interesting to approach each project with fresh eyes and a genuine curiosity about our clients' dreams. To that end, our approach at Verdant Custom Outdoors (San Diego, Calif.) is all about understanding our clients and avoiding any preconceptions about what we think they might want. That in mind, we deliberately approach all clients and projects with a desire to meet individualized needs - a practice that has required us to become totally adaptable when it comes to both design and construction. To be sure, this approach adds a layer of complexity to what we do in that we start from scratch with every project. Our process requires a great deal of research, but as we see it, it's always been an investment of time and resources that constantly
For years now, we've all heard that consideration of a site and its surrounding environment is one of the things that separates the average from the truly great projects. For my part, as I've grown as a watershape designer, I've found this simple concept carrying more and more weight in my work. With that site-driven value system somewhere in mind, I recently came across two books that provide some of the most compelling examples of this approach I've ever seen. It all started when I read a newspaper article about architect Antoine Predock, the 2006 recipient of the
For years now, we've all heard that consideration of a site and its surrounding environment is one of the things that separates the average from the truly great projects. For my part, as I've grown as a watershape designer, I've found this simple concept carrying more and more weight in my work. With that site-driven value system somewhere in mind, I recently came across two books that provide some of the most compelling examples of this approach I've ever seen. It all started when I read a newspaper article about architect Antoine Predock, the 2006 recipient of the
When I sit down with clients for our first face-to-face meeting, we discuss a range of issues that will guide me when I return to my studio and get down to designing a watershape and surrounding areas for them. We'll talk about colors, materials, the location of the pool, their preferences in art, the way they entertain and, perhaps most important of all, how they plan to use their backyard and swimming pool. Let's focus on that last point: When we talk about how a pool is going to be used, what I really want to know is how it will be used on a daily or weekly basis (for swimming, exercise, play or simply as a visual), not how it's going to be used once or twice each year when they throw a big pool party. My thought is that these clients will
When I sit down with clients for our first face-to-face meeting, we discuss a range of issues that will guide me when I return to my studio and get down to designing a watershape and surrounding areas for them. We'll talk about colors, materials, the location of the pool, their preferences in art, the way they entertain and, perhaps most important of all, how they plan to use their backyard and swimming pool. Let's focus on that last point: When we talk about how a pool is going to be used, what I really want to know is how it will be used on a daily or weekly basis (for swimming, exercise, play or simply as a visual), not how it's going to be used once or twice each year when they throw a big pool party. My thought is that these clients will
For years, I refused to eat tangerines and oranges because I hated the seeds. It was too much work to peel off the rind and then sift through the sections and pull out the seeds before finally getting to the juicy, delicious part of the fruit. I opted instead to get my Vitamin C from other sources. One winter several years ago, my attitude changed after I was handed a Satsuma tangerine. Surprised at how easy it was to peel and even more stunned by the absence of seeds, I savored the fruit's sweetness and enjoyed a more natural form of vitamin intake. In fact, I found myself devouring
For years, I refused to eat tangerines and oranges because I hated the seeds. It was too much work to peel off the rind and then sift through the sections and pull out the seeds before finally getting to the juicy, delicious part of the fruit. I opted instead to get my Vitamin C from other sources. One winter several years ago, my attitude changed after I was handed a Satsuma tangerine. Surprised at how easy it was to peel and even more stunned by the absence of seeds, I savored the fruit's sweetness and enjoyed a more natural form of vitamin intake. In fact, I found myself devouring
