ARTICLES Archives - Page 212 of 315

As community aquatic facilities go, the La Mirada Regional Aquatics Facility – known more familiarly as ‘Splash’ – stands as a model of both creative watershaping and a city’s commitment to a grand-scale project. Here, aquatic designer Patricia Soto of the design/engineering firm Counsilman-Hunsaker describes the southern California facility’s evolution and design scheme as well as the details that are making it a beacon for local citizens.

A Buccaneer’s Brew

A small town set in the suburban vastness of southern California, the city of La Mirada seems an unlikely setting for a leading-edge aquatics facility – let alone the grand one that now occupies 19 prominent acres within the city’s sprawling regional park. We were first introduced to the project in September 2005 by the city’s public works director, Steve Forster, who invited us to sit in on a meeting to discuss the city’s ambitions. At this gathering, key city officials let us know that they’d already secured much of the $30 million plus the project would require and expressed their desire to begin moving right away with a very aggressive project schedule. What was needed now, they told us, was a company that had

All the Right Angles

Every once in a while, a project comes along that gives you a chance to step up and demonstrate your company’s capabilities. The construction of the swimming pool seen here was just that kind of exercise for our firm. Located in Potomac, Md., the property is just west of Washington, D.C., in an exclusive neighborhood remarkable for the outstanding caliber and quantity of its watershaping and landscaping projects. We became involved here through a custom homebuilder who was remodeling the property and wanted to do something special in the backyard. This represents a perfect example of how our firm, Alpine Pool & Design of Annandale, Va., thrives in this market. Through the years, we had already worked not only with the homebuilder, but also with the architect as well as the landscape architect. When it came time to consider watershape construction, all three recommended us for the job – testimony to the fact that ever since we opened shop in 1986, we’ve done all we can to establish a reputation for high-value collaboration as part of a community of like-minded designers and contractors. We pride ourselves on being able to execute the most challenging designs and

A World at Play

For all the “importance” attached to creating works of art in outdoor environments, there’s no denying the fact that, in the majority of cases, the root of much of the appeal of watershape designs (and exterior designs in general) still has much to do with having a good time. In my own practice, for example, I’d estimate that somewhere around 85 percent of my clients are inspired by the desire to build watershapes and pool environments as sources of play for their children or grandchildren – or, as some put it, because they’re still big kids at heart and “just want to have fun.” This is why I couldn’t resist picking up

Toward a Standard

I think we can all agree that design communication between architects, engineers, designers and contractors should be clear and concise. If that’s the case, it follows that plans and other construction documents should be uniform in their organization and layout – in other words, that they should follow a set of standards to which everyone in the design/construction community can and will adhere. Why the bother? The plain fact is that any given project involves a cast of characters that will be different – sometimes completely so – from just about any other project. This is why I’m such a strong advocate for

Wings of Whimsy

In the often wild and woolly world of custom landscape and watershape design, it’s sometimes impossible to predict the sources of the most interesting and challenging projects – or anticipate how we manage to find our ways into the middle of them. It’s all part of what makes this profession so uplifting at times – and so confounding at others. I’ve worked hard to accept and embrace the strange tides of fortune this business entails. As a case in point, this month (and next) I’m going to relate a story that captures the essence of what it can take to accommodate the unexpected and enlist the nerve it sometimes takes to

The Light of the Long View

I’ve always believed that pessimism is useless. At times, I think it can even be destructive, which is why I personally beat the drum for positive thinking every chance I get. Sure, there are always going to be those who accuse optimists like me of seeing the world through rose-colored glasses, but I counter that by saying that I also believe that optimism is worthless if positive thoughts aren’t backed up by equally positive actions. That this is the foundation of my philosophy should be obvious to

Healthy Trails

It’s great when people start talking about important issues – and satisfying to have a hand in provoking those discussions. In the past 18 months or so, you may have noticed that we at WaterShapes have published occasional articles about swimming, aquatic activity and hydrotherapy as they relate to

Specialists in land planning for large-scale developments, the Hilton Head Island, S.C.-based landscape architecture firm of Wood+Partners, Inc., believes in building communities that harmonize with nature. In late 2003, say the authors, the company was asked to generate a master plan for Hampton Lake, a planned community that follows the company philosophy to the letter, linking luxury living to responsible environmental stewardship.

All About the Water

People who live in and around Hilton Head Island, S.C., cherish the memory of Charles Fraser, the visionary developer who set the standard for the way communities look along vast stretches of the Carolina coast. Most prominently, he pioneered progressive land-planning standards 50 years ago in developing Sea Pines, one of the first communities to incorporate environmental preservation as part of the development, take its design cues from nature and support the concept with land covenants and restrictions. Fraser’s vision for Sea Pines has since become the foundation for many planned communities worldwide and embodies a philosophy that has, in the intervening years, spread throughout the country. Indeed, our firm – Wood+Partners of Hilton Head – has always endeavored to adhere to this approach in planning communities that are situated in and around natural environments. Most of the time, that means we work (as Fraser did) with water as a central amenity, whether the setting borders a lake, the ocean, a river or a natural wetland area. As we see it, our mission is to preserve and, where we can, even

The project depicted here has been the professional challenge of a lifetime, says watershaper and landscape architect Kathy Marosz. It all started two years ago, when she began working with a highly imaginative client who refused to put any limits on what might be done. Subsequently, as she reports in the first of three articles on the results, her involvement grew from execution of a plan into a near-boundless exercise in creative collaboration.

When Dreams Grow

Some clients don’t know any limits when it comes to their ambitions – and that’s certainly been true in this case. His mountain-sized home is set on a relatively flat four-acre parcel in otherwise hilly Ramona, Calif. The client himself describes the building as looking like a casino, and indeed it does have a decidedly “eclectic” architectural look. What he wanted was a backyard to match – a free-wheeling composition that might best be described as a Tommy Bahama-inspired tropical resort. He let me know that the family

In his work as a landscape artist and custom watershaper, Robert Nonemaker often uses rills – small channels that simply and gracefully move water from one place to another – to bring interesting rhythms and harmonies to his garden spaces. Although these features tend to be less than assertive, he notes, the way water moves through their narrow slots can do wonders when it comes to adding depth and detail to watershape designs.

The Subtlest Flows

My dictionary defines a rill as a small stream cut by erosion. In the practice of watershaping, however, that colorful little word has been stretched to cover manufactured channels in which we artfully move water from one place to another. These often-subtle effects have a history dating at least to the 5th Century BC, when Persian kings demonstrated their power over nature by using rills to bring water – a symbol of fertility as well as a practical means of cooling architectural spaces – from rivers and aqueducts to their palaces. These early rills were observed and adopted by Muslim designers and engineers who rose to eminence in the Middle East more than a millennium later and were carried along as Islamic influence spread through India, North Africa and, eventually, Spain, where signature elements of Moorish architecture are still seen today in the famous