ARTICLES Archives - Page 199 of 312

Sailing Grace

Challenged to develop a sculpture that would make a strong statement about the commissioning company’s expertise in engineering and motion-control technology, Michael Batchelor and Andrey Bererzowsky of Montreal’s SWON Design delivered a work of subtle beauty to an otherwise stark architectural context. Here’s a close look at the resulting medley of textured glass, sheeting water, gleaming steel and arcing jets, all set within curving ponds. With residential projects, the importance of understanding the character and focus of the client is widely recognized and appreciated. Although the scales are different and the “clients” may be committees, we’ve discovered that the same is basically true with commercial projects as well. A case in point is this project, which we completed for Parker Hannifin, the Mayfield, Ohio-based manufacturer of engineering components and a multi-billion-dollar company whose products are found on everything from Space Shuttles to precision industrial machinery. Appropriately, the sculpture we were asked to design was to reflect a highly refined, disciplined sense of beauty. We at SWON Design were first contacted by an independent marketing consultant, Karen Skunta, who was participating in the company’s effort to re-brand itself – a program that, in part, included

20 Years After

To celebrate the 20th annual convention of the National Plasterers Council, Bruce Hughes – the organization’s founding chairman and former president of one of the industry’s largest plastering firms – looks back on NPC’s first years and the difficult process by which a feuding group of strong-willed contractors came together to form an association that has become a force for research, standards and industry progress. I remember it well: The National Plasterers Council’s first conference was a compact, one-day event in Los Angeles staged by an association that had only been around for about two years and had to that point been

Designing in Style

There was a time not long ago when most of my clients wanted swimming pool environments that were designed to suit a design theme of some sort that was separate and distinct from the house. It wasn’t unusual, for example, for clients here in Texas to ask for outdoor areas that replicated Rocky Mountain settings or tropical lagoons. Those projects still come along from time to time, but in the past few years, increasing numbers of my clients want exterior designs that clearly relate to the architecture of their homes. In part, this has to do with the trend toward

Containing Glare

In the landscape lighting business, we often hear complaints about glare and get lots of questions about how to bring it under control. In some cases, it’s a minor annoyance, but in others, some clients are so sensitive to the discomfort it can produce that it ruins entire lighting designs for them. So what exactly is “glare”? I define it as light transmitted directly from a source into an onlooker’s eyes (either directly or indirectly) in such a way that it’s a nuisance. Beyond the squinting

Planting Pains

Early in the history of garden design – dating back to the earliest days of civilization in Sumeria, Egypt and China – plants took center stage in garden spaces. Terraces and hanging gardens were built not for their innate ornamental qualities, but rather to display the plants they contained. Always, the prized plant was more important than its container. This preeminence of plant displays has been the rule rather than the exception throughout history, even

The Light Ahead

Through the past several months, we’ve heard all sorts of voices discussing the current state of economic affairs – including mine in last month’s “Aqua Culture” column, but, more predominantly, those of representatives of the 24-hour-a-day news media. Anyone who isn’t living in a cave is by now aware that we’re caught up in an economic crisis of global proportions and that the consequences may be dire. We’ve heard that line so often and with such fervor, in fact, that it’s

Clear Choices

Among all of the many projects we’ve published in WaterShapes, a few have stood out as being extraordinary because of the artful ways they combine glass with water. In capable hands, the properties of solid and liquid combine to make statements about both materials that are constantly

For nearly six years, this was a project that occupied most of James Atlas’ working life, challenging him and the staff at Platinum Poolcare Aquatech with pursuing development of a watershape complex marked by great ambition, shifting needs and innumerable revisions. Now that his work is complete and the site is finally ready for its close-ups, Atlas guides us through a masterpiece he justly sees as his firm’s crowning achievement.

Opening a Shell

Most of the time, residential construction projects that stretch beyond a half-decade in the making involve significant delays or work stoppages. The project pictured here – known hereabouts as “The Shell Pool” – took nearly six years to complete, and what’s unusual about it is that it was basically a continuous effort. Even when we weren’t on site, seldom did a day go by when we weren’t involved on some level in design work, engineering and/or project planning. Now that it’s finished, I can say without hesitation that this was the most detailed, refined, all-consuming project we at Platinum Poolcare Aquatech of Wheeling, Ill., have ever tackled. I can’t begin to calculate the collective number of hours spent in client and staff meetings, phone conversations, skull sessions and design-revision meetings – and that doesn’t include time spent on site in bringing this amazing project to fruition. Even compared to the many intricate commercial projects we’ve worked on through the years, this one set a new standard in my experience with respect both to the spirit of innovation and the mountains of patience required to get the job done. Today, with all that effort behind us, it’s a rare pleasure to

Awakening a Dream

Certainly one of the world’s most unusual watershaping achievements, ‘Le Reve’ is a Las Vegas-style aquatic production that carries audiences into an amazing dream world of water, light, music and incredible acrobatic skill. To achieve the water effects, former Cirque du Soleil producer Franco Dragone turned to Aviram Müller and Canada’s Kaarajal Design Aquatique – and the result is a marriage of watershaping art and technology unlike any other. Franco Dragone’s design team first contacted me late in 2003. His company, which organizes groups of design firms to create some of the world’s most elaborate stage productions, was working on a new Las Vegas extravaganza for hotelier Steve Wynn. Wynn’s properties are famous for their water effects, including the wonderful fountains in front of Bellagio on the Las Vegas Strip. I was told that his then-current project, the Wynn Resort, was to feature similarly spectacular water elements – one of which was to be

At a time when droughts seem to be aligning with increasing populations to ratchet up the pressure on our supplies of fresh water, the concept of using ponds and streams to capture and store rainwater is one whose time may well have come. Here, Aquascape’s Ed Beaulieu describes the installation of a prototype rainwater-harvesting system in a backyard in drought-plagued Georgia, where fresh water has recently become a precious commodity.

Harvesting Rain

Only three percent of the world’s water exists as fresh water – that is, water with low salinity and total dissolved solids of the sort found in lakes, rivers, reservoirs, ponds, streams and aquifers. It is arguably our most precious resource because, quite simply, we can’t get along without it. As populations grow around the world, the amount of fresh water available for drinking, irrigation, bathing and sanitation annually decreases on a per capita basis. These fresh-water supplies are replenished only by precipitation, so when droughts disrupt historical weather patterns, there’s trouble ahead – especially if the shortages hit highly populated areas. Today, it is estimated that one in six people on our planet lacks access to an adequate water supply. While the vast majority of those who endure this disadvantage live in other parts of the world, we in the United States are becoming more and more subject to supply shortages when localized droughts occur. Recent conditions in the southeastern United States are a prime illustration of what this entails: In Georgia, for example, water supplies recently hit 50-year lows. These conditions resulted in the imposition of all sorts of restrictions on water use, in some areas leading to bans on the installation of new watershapes. At Aquascape (St. Charles, Ill.), we’ve long believed that it’s our responsibility as professional watershapers to act responsibly in such circumstances, meaning in our case that