ARTICLES Archives - Page 198 of 315

The water has to come from somewhere in pond/stream systems – and that, according to master watershaper Anthony Archer Wills, is precisely where many projects run off course, basically because their injection points are too obviously contrived. Here, he argues instead for taking great care in devising (and hiding) water sources to make them seem as though they’ve been shaped from time immemorial by nature’s own subtle hydrology.

Beginnings

Where do rivers start? That’s a question that has always fascinated me, basically because I know that the Nile, the Amazon and the Thames – as majestic and life-giving as they and many of the world’s other great rivers become – all begin as mere trickles. Indeed, with the notable exception of rivers that erupt from the ground as powerful streams, most great rivers start out as subtle emanations of water that has migrated, globule by globule, through vast areas of porous rock to emerge as tiny rivulets in zones known as “spring lines.” These spaces typically exist between

Emotional Intelligence

Whether we think of them this way or not, watershape and landscape designs have the ability to create emotional responses among our clients. In that sense, we’re actually in the business of provoking those feelings. When we do things right, the conjurings are positive and are at their best when we successfully forge links to our clients’ treasured experiences. If we miss the mark by not properly considering our work’s emotional impact, however, the results are discordant and somehow unsettling. I think I’ve always known all of this on an intuitive level, but I’d never

The Project Manual

Through the past year and a half, I’ve dedicated four “Currents” columns to the subject of drawing practices and the National CAD Standards. But construction documents consist not only of drawings, but also written specifications – so now I’ll shift my attention to Project Manuals – key communication tools used by architects and engineers to uphold quality and establish performance requirements for all of a given project’s contractors. Basically, a Project Manual is a bound book of construction documents prepared to define

Sturdy at the Edges

In just about every profession, it seems that there’s one thing or another that goes unnoticed and underappreciated because it is overshadowed by more visible or sensational elements. In the watershaping and landshape trades, for example, I see foundations as being among these unsung details despite their obvious significance. They’re so important that I always talk with my clients about them and the role proper preparation plays in the success of everything atop them. After all, I say, a home can have wonderful tile work in the kitchen, but it really won’t be worth much unless

Plain Silly

I have my opinions – some of them quite strong – but I’m also what I would consider to be a tolerant, open-minded guy: I weigh a broad spectrum of ideas in forming my perspectives, and I try my best to judge people by their thoughts, actions and merits. Every once in a while, however, my reserves of patience get pressed to the limit. When that happens, I believe it’s valid and useful to stand up and call things as I see them. Let me cut to the chase: On February 25, 2009, The New York Times ran a piece in the paper’s Home & Garden section by

Joy and Glory

Just a couple weeks ago, I had the pleasure of spending the day with a long-time WaterShapes contributor – and my good friend – Dr. William N. Rowley. Just a year ago this month, Bill was one of the first recipients of the McCloskey Prize, and as we noted at the time, he has from the start of the magazine been a tireless supporter of our efforts to build pride and professionalism

Conceived of as part of the home’s original design and construction, this stunning rectangular pool provided the watershaping team of William Bennett and Walter Williams with the opportunity to work closely with an architect at the top of his game. The resulting composition in concrete, glass, wood and water – set on a steep slope in a densely wooded area – made all participants to rise to the occasion with practical, cost-sensitive solutions.

Builder’s Pride

There’s no doubt about it: Projects in which watershapers participate from the start in the overall design of a custom residence offer rare opportunities for creative integration that don’t come along very often. That was just the positive situation we encountered here – and the results are among the finest we’ve ever achieved. The project was organized by Lewis Bloom of Bloom Builders (Bethesda, Md.). We at Alpine Pool & Design (Annandale, Va.) have had the privilege of collaborating with him often through the past 20 years and have enjoyed a wonderful working relationship every step of the way. In this case, we were asked to get involved with a spec house he wanted to build on a steeply sloping, heavily wooded lot overlooking the Potomac River as it passes through Bethesda. Heading the design team was a prominent local architect, Robert M. Gurney, who has earned a reputation for beautiful Contemporary approaches to both residential and commercial projects. More to the point, he’s also known for his ability to maximize connections between built spaces and the areas that surround them. Everything seemed to mesh, and we

Michael Nantz has built a reputation for success in design work across a range of styles and settings. Here in words and images, the Dallas-based watershape designer and builder leads us through a set of recent projects that put him to the test, forcing him to work with challenging sites and a more than a few quirky client requests – and, invariably, pushing him to balance his instincts against the needs of his projects in developing creative solutions.

Balancing Acts

Through the past few years, a number of my most interesting projects have been all about revising outdoor environments for upscale residential clients, generally with the thought in my mind of integrating exterior and interior spaces. That seems simple enough, but these tasks have frequently been complicated by unusual site features and the fact that what clients want at the outset isn’t exactly what the site seems to require. In a few of these situations, I’ve needed to reset the stage entirely by remodeling significant architectural elements of the house to fuse indoor and outdoor spaces; in others, I’ve had to revise and reconfigure everything on site except the house. As I roll through these various scenarios, the thought I always keep uppermost in mind has to do with making everything seem as though

Swimming to Longevity

Delivering the keynote address to the World Aquatic Health Conference in September 2008, Dr. Steven N. Blair asked a simple question: Does swimming reduce your risk of dying? As he stressed then and repeats in detail here, the answer is a resounding yes. Indeed, the findings he offers stand among the most compelling reasons ever offered to promote swimming and other forms of aquatic exercise to the general public. Medical science has long seen exercise as a crucial part of a healthy lifestyle. In fact, there’s an enormous amount of evidence about its health benefits – so much that the U.S. Department of Health & Human Services recently stepped up with its first-ever guidelines for physical activity. Lots of individuals, organizations and other entities have proclaimed the positive outcomes of exercise through the years, but never before had the U.S. government published an official set of guidelines. These government recommendations were largely the result of

Last year, the project team planning Canterbury High School’s new aquatic center brought in watershaper William Drakeley to discuss the facility’s state-of-the-art competition pool. Before he could start, however, questions about how it should be built involved Drakeley in educating the project team about the distinctions between shotcrete and cast-in-place concrete – and which should be used in creating what was to be a huge, monolithic shell.

Top of the Class

Every so often, our company is confronted by the belief among certain design professionals that, as it is used by the pool industry, shotcrete is simply not viable for use as structural concrete in high-profile watershaping projects. The assumption, I’ve learned, is that the pool industry is filled with contractors and specification writers who know little about the material and therefore tend to produce substandard results. I could argue the merits of the case, but let it suffice to say that the upshot of this widespread belief is that institutions and commercial clients hesitate to use shotcrete and instead prefer cast-in-place concrete, which they perceive as having greater quality and reliability in watershape applications. We at Drakeley Swimming Pool Co. (Bethlehem, Conn.) recently encountered exactly that prejudice: A private high school that was in the process of designing and building a state-of-the-art aquatic center and an