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We live in a wonderful era of creative development in a variety of watershaping trades and are truly blessed, it seems, with an ever-expanding generation of talented artists and a sense that our most dynamic creations are yet to be built. For all of this forward momentum, however, I find myself surprised and dismayed all too often by the lack of creativity that goes into our work below the water's surface. To my eyes, pool and spa interiors in particular are simply bland and boring. I'm oppressed by six-inch waterline tile surmounting a field of
If you can't see potential in every backyard you walk into, then you're in the wrong business. Yes, some projects are more inspiring than others, and some spaces seem to offer you more to work with than others. Without exception, however, our clients' yards present us with opportunities to develop programs that take advantage of what's there in ways that bring balance and harmony and interest to any setting. Speaking for myself, I'm no more energized in a project than when I get the opportunity to right a wrong and replace a past mistake with a fresh, interesting design - and that was certainly the case in the project discussed in this article and in my past several "Details" columns in this magazine. The setting was special, the clients were great and I was given free rein to work with color, shape and line in vivid, interesting and even startling ways - all in keeping with their wants and desires. SETTING THE SCENE To recap information from recent "Details," this pool/spa combination with its associated decking, walls, planters, outdoor cooking facilities and private garden area are located in a narrow yard at the base of a slope in Pacific Palisades, Calif. It's a spectacular
A grand California estate deserves a grand pool, and Cima del Mundo is certainly no exception. The new pool is part of a project that involves the complete renovation of a classic estate in the hills of Montecito, a prosperous enclave just south of Santa Barbara, Calif. In keeping with the overall theme of the project, which was described in detail in "The Crest of the World" (WaterShapes, January/February 2001, page 32), the pool has been outfitted with thoroughly
With just a few weeks to go before our work was to begin, I took my wife Denise to visit the historic pool at the Biltmore Hotel in Coral Gables. I wanted to take a long look at what was (and may always be) the largest re-plastering job I'd ever landed. As I stood at the edge of what can truly be described as a huge pool, I actually thought for the first time in my career that I'd bitten off more than I could chew: The surface of the massive U-shaped pool was in terrible shape and dragged down the hotel's otherwise beautiful decor and landscaping. Yes, it was the kind of prestige job I'd always wanted, but it only took a few minutes for the enormity of what I had undertaken to
When I talk with prospective customers about hillside installations, more often than not I'll find myself saying "A good foundation deserves a great pool" at some point during our conversations. In fact, I view all of my pools as works of art, whether they're installed on a hillside or on flat land. The design can be a simple rectangle (which in my opinion are some of the most beautiful pools built) or an elaborate oceanscape with all sorts of bells and whistles. Regardless of location, style or complexity, I build my pools with first-rate foundations engineered for the specific soil conditions, and I give my clients the best pool I possibly can. As I explained in
