tile
My last two "Details" should make it pretty clear that I'm more enthusiastic about tile than I am about any other surface material for watershapes. In October, we covered the use of color while focusing on tile, and in November there was a discussion of my favorite suppliers and their distinctions. This time, I'll bring the sequence to a conclusion by looking at the process of selecting tile and at the ways I blend tile mosaics. My enthusiasm extends from the fact that tile in watershapes is incredibly dynamic - so visually flexible, so durable and, if done well, so elegant. It can be used either as a
I know I've quoted or paraphrased Ernest Hemingway on this point before, but it bears repeating once again: Anything that was ever any good, you pay for. I'd go so far to say I've based my entire business philosophy on that basic idea. For one thing, there's an essential truth to what he's saying. For another, I see its clear application to watershaping on a variety of levels - particularly when it comes to the materials we use in creating our "art." Indeed, a huge part of giving clients the unique elegance and beauty they so often crave involves understanding and appreciating
Our firm has always focused on the creation of watershapes and landscapes for championship-level golf courses. It is work on an enormous scale in beautifully conceived settings, and the clients are extraordinarily demanding. On occasion, our work has reached beyond the links and into the grounds and homes that surround them. That makes sense, because the lion's share of our work on fairways, tees and greens runs parallel to development of adjacent luxury homes. This means that we often expend considerable energy in considering the views from future home sites and the ways our watershapes and landscapes visually interact with what are often
Few things are as important to the aesthetic impression made by swimming pools, spas and other watershapes as the colors you select to use in it and around them. Take tile as an example. Whether it's just a waterline detail, a complete interior finish or some elaborate mosaic pattern, it serves to draw the eye into a design. If the color and material selections work, the scene can become extraordinarily elegant and beautiful. If they don't, you can have a major eyesore on your hands. The amazing thing to me is how few watershapers ever really consider the importance
Value is measured and determined in a variety of ways. When it comes to pools and spas, for example, I'd say that the straight-dollar value is only one of several yardsticks and that, for many clients, it's no longer the one that tops their lists. Instead, beauty, health benefits, artistic merit, pride of ownership and emotional appeal are more important than price tag for many of them - a wonderful trend, to my way of thinking. These measures of value, of course, are highly subjective. Every client is a little bit different, and the relative value of non-monetary factors can be
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
I've been playing with clay for a long time - ever since 1968, when I took my first ceramics class in high school. Clay has captured my imagination mainly with its flexibility: I can carve it, build with it and even color it. For years, I've sculpted pieces of tile out of stoneware and porcelain clay. The individual pieces are then combined to create mosaic compositions, which, among other things, means that I'm able to create works of art that can go just about anywhere and are especially at home in and around water. Now, more than 30 years into working with this wonderful medium as a potter, then as an art student in the United States and Italy and especially in
In renovation projects, preparation of the pool's interior surface for a new finish is truly where the rubber meets the road - a key step in which what you've planned and what you actually do must come together. With this installment of "Details," we're doubling back to the Los Angeles project we left behind in October as we waited for tile to arrive from Italy. If you'll recall, the pool had been built in the 1920s and graces a property with a magnificent Gatsby-era home. As I mentioned at the outset of this interrupted sequence of columns, the homeowners have been extremely involved, always wanting to know as much as they possibly can about what's going on in their backyard. As I mentioned as well, the challenge
It's right up there for longevity in the history of building materials with marble and concrete: The use of glass tile, in fact, dates to the Roman Empire and traces its path through widespread use in Byzantine art in the eastern Mediterranean before finding its way back to a primary role in the art and architecture of Renaissance Italy. From ancient times forward, glass tile has always been associated with beautiful and enduring works of art. Now enhanced by some modern-day manufacturing practices that serve to bring out its incredible gem-like features, the material still holds faith with all those centuries of tradition while reaching
