exterior design
Designing spaces for human use -- especially those of the recreational variety -- starts by understanding that the primary goal is to generate a positive emotional response, regardless of style, the size of the property or the client’s budget. That’s why Mike Farley considers the ways that different spatial configurations make his clients feel.
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The cliché is true; to know where you're going you've got to know where you've been. Like all professions, watershaping has a rich history of innovation and groundbreaking achievements. Unlike other more heralded fields, however, there is no watershaping hall of fame - but if there were, you'd find many an inductee covered in these pages. Most every field of human endeavor has its
'Science tells us that the human eye can see about seven million colors and that our minds instinctively perceive depth and dimension. This visual capacity,' noted Stephanie Rose at the outset of her Natural Companions column in April 2006, 'enables most of us to move around without bumping into things, some of us to swing at and somehow hit a golf ball and, in the case of a beautiful garden (we can hope), all of us sense
This project was all about fun and finding ways to infuse watershapes and the overall landscape with childlike senses of playfulness and wonder. At a glance, of course, it’s obvious that this particular approach wouldn’t work for too many clients, but in this case, we were working with a woman who wanted her yard to express her love of color, her sense of humor and her unparalleled inclination
How do you define artistry? That’s a highly subjective question, of course, but I’ve always thought of it as a completed work that radiates impressions of insight, effort, skill and mastery – even in seemingly ordinary applications. Breaking it down further, materials are my personal passion – how they are selected and, far more important, how they are used. Indeed, while the presence of wonderful materials alone can make their impression no matter how banal a design, when the person wielding those wonderful materials has the
If there’s one thing that almost all parties in homes have in common, it’s that people tend to congregate around food and drink in the kitchen. Almost invariably, that’s where the action is. As more and more homeowners are taking their indoor lifestyles outdoors into their backyards and landscapes, the “action” is moving outside as well, with al fresco kitchens becoming the new hub at social gatherings. This is why outdoor kitchens have grown so much in popularity in recent years, moving past being simple counters adjacent to charcoal barbecues to become, according to the American Institute of Architects, the number-one growth category in home improvement. In plying my trade in a sunny, particularly warm part of southern California, I’ve had a front-row seat in watching this trend develop – and I’ve now been designing and building these amenities for more than a quarter century. It’s reached a point where my company, The Green Scene (Northridge, Calif.), builds at least 25 outdoor kitchens every year across a range of styles and levels of complexity. Experience has taught us that the
Done properly, planting design is much like painting: It involves setting frames, backgrounds, screens and stages in a garden, thus creating a living scene with the plants as features of the composition. Just as a painter adds layers of colors to a canvas to create a work of art, the garden designer combines plants for visual delight. But the garden designer has an advantage in that scent, texture, motion and even taste can be experienced in gardens in ways that can only be suggested by a painting. (As a former painter, I can attest to this point and credit my artistic adventures in
In most projects, great work requires the watershaper's personal understanding of who the clients really are, deep down. That doesn't mean we have to become our clients' best friends or marry into their families. Rather, creating watershapes at the highest level involves a different kind of relationship, one in which a shared vocabulary and common vision develop through discussions of water, stone, art, plants and the orchestration and staging of experiences that will occur in given spaces. Take the project covered here as an example: The scope of the work, an unlimited budget and a mandate for the highest possible levels of quality were enough on their own to force us to explore the limits of our skills and creativity. More important from our perspective, however, is that we
Beginning a project can be wonderfully exciting, especially when you're working in a beautiful place with a terrific client who wants something truly elegant and special. In fact, I can honestly say that there's nothing quite like the exhilaration of stepping into a new situation with great potential, defining those possibilities and watching a client's eyes light up with the fire of inspiration. Case in point: Not long ago, my partner Kevin Fleming and I were called out to a job site on Long Beach Island, N.J., by local landscaper Mark Reynolds, who'd heard of us and our reputation for using top-quality materials in top-flight designs. When we pulled up, the first thing I noticed was the
If you're uncomfortable with ultra-adventurous design schemes, you can stop reading this review right now. If, however, you find inspiration in projects that are completely original, then Diarmuid Gavin's Outer Spaces is an amazing and rewarding book. The 256-page text (DK Publishing, 2003) covers 25 mind-blowing projects by this award-winning Irish landscape architect and host of his own PBS series, The Home Front. Gavin has become something of an international celebrity with a reputation for creating what might loosely be termed "contemporary spaces" that use materials, shapes, plant materials and water in extraordinary and surprising ways. In this book (one of several he's published), he starts by
