construction
It’s not unusual for watershapers to have their signatures. For some, these noteworthy effects extend from their educations and personal design preferences, while for others, inspiration comes from distinctive qualities found in local landscapes or from tailoring designs to suit the characters of their clients. In our case, we at Hydroscapes (Fountain Hills, Ariz.) pull on all of the above and more in our design work. Through the years, we’ve done a lot of projects associated with Contemporary-style architecture – a specialty, perhaps, but not what we’d call a signature. This work has led us to invest lots of time in studying modern masters including Frank Lloyd Wright and John Lautner – and, as they did, in learning about Japanese garden design and the work of the great Craftsmen architects such as Greene & Greene. Those influences flow neatly together for us because all of those designers embrace simplicity of line and form as well as elegance in the use of colors and materials. It doesn’t hurt that these legacies suit our personal tastes as a husband-and-wife design team – and it helps even more that a majority of our clients these days seem to start with similar ideas in mind: They want
{Multithumb} Artificial rockwork is hardly new. In fact, its roots stretch back more than 100 years to Germany, where it was used for the first time to enliven zoological exhibits. Those early examples of artificial rockwork were decidedly crude – nothing more, really, than solid mounds of dumped concrete – but they met a need that couldn’t be accommodated by natural stone and made it possible to display hoofed stock (including antelopes and gazelles) on raised, natural-seeming terrains. Those early efforts were far from beautiful, and it’s no stretch to say that things have come a long way in the century since those first attempts took shape. Indeed, those of us who’ve worked in artificial rock for any length of time are proud to have witnessed the product’s evolution to a point where materials and techniques are now applied that are capable of transforming otherwise mundane settings into scenes of striking, naturalistic beauty. Certainly, deploying natural rockwork is another means of achieving the same end, but success often involves
On many pool projects, the excavation phase often calls for the addition of competent fill to establish a foundation solid enough to support a concrete structure. That extra step can be both laborious and expensive, observes watershaper Paolo Benedetti, who uses this fresh entry in his new series on sensible solutions to common technical problems to describe a time- and money-saving alternative to standard methods of soil remediation.
Oftentimes, I end up wanting to use irregularly shaped or large, dimensional stones as a coping for my clients’ pools and as a veneer in finishing their decks. I know in doing so, of course, that the deck and its stone veneer must be isolated from the pool structure and the coping. I also know, of course, that random or dimensional stone generally doesn’t conveniently follow the isolation joint around the back edge of the bond beam. Nor, for that matter, will the stone pieces used in the deck align with
If you’ve ever spent time in the hospital, you’re probably like me in having done your best to forget the experience. Not only were you recovering from some sort of serious injury or illness (or visiting a loved one who was), but you also had to endure the process in an environment that wasn’t quite hospitable. Most likely the room you or your loved one occupied was filled by an adjustable bed surrounded by beeping instruments. The walls were putty-white and scuffed, a couple of cellblock-like doors led to the bathroom and hallway – and a worn-out television hung questionably above the bed, threatening to
There’s no substitute for working closely with clients. I typically spend many hours conversing with them, discussing everything from their travels and artistic interests to the specifics of the project at hand. It’s the only way I know of to ensure that I’m following the best path in developing a design to meet their needs. That approach was taken to something of an extreme in the project pictured here: Not only did I devise the outdoor spaces, including a large swimming pool and a host of other exterior features, but I also was extensively involved in building the house itself. It was an exciting process for me, one that yielded positive outcomes and that, to this day, is still one of my favorites. Interestingly, however, my association with these wonderful clients actually began a couple years before this project commenced – an encounter that resulted in no work for me at all and also
The availability of new and different materials has been a driving force behind the design revolution that has defined the watershaping industry for the past ten years. One key to that development, observes Kirk Butler of Cactus Stone & Tile, has been the willingness of suppliers to step into more progressive roles as purveyors of unique products that have blown the creative process wide open for watershape designers and builders – and their clients. In our business as a stone and tile supplier, we’ve often heard in the past 35 years that designers and contractors get tired of repetition: They come to us, they say, hoping to find things that inspire them to create projects that are new, unique and exciting. Frankly, we on the supply side are subject to the same sentiment: While we may be intimately familiar with materials our designers and builders have used over and over again and have no objection to working with the tried and true, we’re restless, too, and are always trying to find something new to bring to the table. Whether we’re working with a pool designer, a landscape architect, an interior designer, a home builder or even a homeowner, we believe everyone benefits from access to a wide array of quality products and materials. In our case at Cactus Stone & Tile (Phoenix, Ariz.), this means we literally travel the world to find and procure the widest possible range of hard-surface products, be it stone or tile. We beat the bushes across Europe and Asia and visit the far reaches of South America, dropping in on trade shows and fairs, introducing ourselves at quarries and processing facilities and doing whatever it takes to
Most of the time, residential construction projects that stretch beyond a half-decade in the making involve significant delays or work stoppages. The project pictured here – known hereabouts as “The Shell Pool” – took nearly six years to complete, and what’s unusual about it is that it was basically a continuous effort. Even when we weren’t on site, seldom did a day go by when we weren’t involved on some level in design work, engineering and/or project planning. Now that it’s finished, I can say without hesitation that this was the most detailed, refined, all-consuming project we at Platinum Poolcare Aquatech of Wheeling, Ill., have ever tackled. I can’t begin to calculate the collective number of hours spent in client and staff meetings, phone conversations, skull sessions and design-revision meetings – and that doesn’t include time spent on site in bringing this amazing project to fruition. Even compared to the many intricate commercial projects we’ve worked on through the years, this one set a new standard in my experience with respect both to the spirit of innovation and the mountains of patience required to get the job done. Today, with all that effort behind us, it’s a rare pleasure to
Certainly one of the world’s most unusual watershaping achievements, ‘Le Reve’ is a Las Vegas-style aquatic production that carries audiences into an amazing dream world of water, light, music and incredible acrobatic skill. To achieve the water effects, former Cirque du Soleil producer Franco Dragone turned to Aviram Müller and Canada’s Kaarajal Design Aquatique – and the result is a marriage of watershaping art and technology unlike any other. Franco Dragone’s design team first contacted me late in 2003. His company, which organizes groups of design firms to create some of the world’s most elaborate stage productions, was working on a new Las Vegas extravaganza for hotelier Steve Wynn. Wynn’s properties are famous for their water effects, including the wonderful fountains in front of Bellagio on the Las Vegas Strip. I was told that his then-current project, the Wynn Resort, was to feature similarly spectacular water elements – one of which was to be
Sometimes, the main idea that will drive a design jumps to mind as soon as you see the site. That was the case with the project covered here: When I pulled up to the gate of the property - high in the affluent hills of Bel Air, Calif. - what I found wasn't a big, showy home of the sort that have increasingly come to characterize the neighborhood; instead, what I saw was a place defined by subtlety and elegance. It all started with the gate's beautiful brick pilaster, beyond which I could just glimpse a large, lovely home with the distinctive architecture of an English manor house. Even though I hadn't met the clients yet or seen the entire job site, I was already convinced that the project would be
