construction
There’s something truly wonderful about working on properties that are in one way or another historic: In a very real sense, they give you a rare opportunity to participate in the past while at the same time you are conceiving and forming a place for the future. This project is a case in point: My endeavors here gave me the chance to beautify a truly splendid 1905 private home in southern Wisconsin and complement its amazing Palladian/Greek Revival-style bone structure with a contemporary composition in rock, plant material and water. The owner, who has a passion for architecture and historic preservation, had already completed a total restoration of the buildings. The grounds, however, still left much to be desired. The property manager had worked with me on a previous project, and he suggested that I should be brought in to revitalize the space – the centerpiece of which would turn out to be
As a rule, I avoid working for contractors: I’ve found that far too many of them spend so much time worrying about the bottom line that they lose sight of the fact that their clients want quality rather than compromises. I’ve also found that their general caution is often at its worst when it comes to watershapes: Even though these structures may be key components of the overall project, they tend to come along late in the process and are all too often seen as places where corners can be cut to meet overall budget goals. Frankly, I’ve never liked being treated as a pawn or second-class citizen, so I avoid these situations like the plague. Instead, I typically work directly for homeowners and refuse to subordinate my part of a project to the whims of another contractor. Any worthwhile rule, however, has
Automatic swimming pool covers are wonderful in a number of ways: They increase safety, save energy, limit evaporative water losses, keep debris out of a pool and can even reduce chemical consumption. As a watershaper, I want these devices to be trouble-free so they will perform with nothing more than routine maintenance and my clients can
Among the wonderful benefits of working in the custom watershaping business is that you never really know what sort of projects will wander into view. Through the years, we at Live Water Creations of Santa Rosa, Calif., have certainly participated in developing and executing some unusual designs, but I can honestly say that working on one that included a huge, beautiful steel pyramid topped by a deep-space telescope was something that had yet to come our way. And it would have stayed that way had I not received a call from John Anderson of Pools by Rapp, another firm here in Santa Rosa. We’ve collaborated on other projects in which our firm has built ponds or fountains to go along with pools and spas he’s done. In this case, he was installing a lap pool and wanted our help in what he could only describe as an extremely unusual watershape. The client said he had just built a beautiful contemporary home and, as an astronomy buff, wanted to complete the package with
In the world of concrete science and application, innumerable variables have an influence on whether a concrete installation is successful or not. These include but are not limited to the skill of the applicator, the suitability of the mix design, the temperature at the time of application, the equipment used, the water-to-cement ratio and the size of the aggregate. For all the seeming complexity, however, the nature of the material itself invests the process with a few immovable facts. One of these directly undermines the swimming pool industry’s “standard” that calls for a compression strength of 2,500 pounds per square inch for pneumatically placed concrete (that is, gunite or shotcrete). It’s not because the standard is inadequate per se; rather, it’s because
Root Design has always focused on developing environments that delight, inspire and occasionally surprise clients, but the project seen in this, the first of two articles, may well be the company’s most elaborate to date. Here, Ben Dozier and Michael Percy describe what went into designing and building across the entire site, including the multiple watershapes that helped transform this estate into an oasis filled with plants, light, sounds and water. Although it doesn’t always work out this way, the best-case scenario for us at Root Design (Austin, Texas) is to accept full responsibility for all exterior spaces of a given property, from the footprint of the house out to the property lines. In these situations, our team is able to establish designs with wall-to-wall continuity in response to the environment, the architecture and our client’s wishes. We commit ourselves in these circumstances to taking homeowners and their guests on a journey, starting the moment they enter the property and moving all the way through to the yard’s farthest reaches and all the spaces in between. Along the way, they’ll enter a variety of small or large vignettes, conceal-and-reveal discoveries, dramatic focal points and multiple rewarding destinations – each conceptually linked as a coherent “whole.” In this case, we were called upon to
Wanting to soften and humanize the austere appearance of a new facility for homeless families, the benefactors of the Orange County Rescue Mission in Tustin, Calif., commissioned an unusual watershape. The idea pulled watershaper Mark Holden and project manager Jim Bucklin into a whirlwind in which they had to create unique systems to accommodate the world’s largest ceramic amphora – and do so within an extraordinarily tight deadline. What happens when one of the country’s wealthiest philanthropists provides funding for a truly unique art piece in support of a favorite cause? The short answer is, everyone jumps to make it happen. That was literally the situation when a nonprofit organization that serves the needs of homeless families received a donation from its largest benefactor to fund construction of an unusual fountain system. The waterfeature, we learned, was to support the world’s largest amphora, which at that time was just being completed by a Danish artist. Destined for the courtyard of a new facility about to be
It’s no secret that swimming pools have come a long way in recent years and are now graced with all sorts of features, functions and materials that, once rare or non-existent, have now become common and (in some cases) familiar. For all of that innovation, however, there really hasn’t been what one might call a re-imagining of the product or any fundamental reassessment of its nature. In fact, as we and certainly some prospective clients see it, there are problems with pools as they’re traditionally designed and built. For one thing, bathers with physical limitations have difficulty getting in and out of the typical pool. For another, pools take up a good bit of physical space, which is increasingly an issue as
Sometimes watershaping is so much fun that it seems less like a job than a labor of love. That was absolutely the case with the watershape pictured here: I was given free rein to do exactly what I thought was needed in collaboration with great clients and a wonderful project team on a spectacular property. And as if that wasn’t good enough, we ran into virtually no problems along the way, even though we were working in a city sometimes known for setting obstacles in the way of ambitious designs. We at Pure Water Pools (Costa Mesa, Calif.) get involved in numerous custom projects every year, and the work just seems to get more creative, interesting and satisfying as we move along. I’m not willing to say we’ve peaked by any stretch of the imagination, but it feels good to think that this may well be
There’s no doubt about it: Projects in which watershapers participate from the start in the overall design of a custom residence offer rare opportunities for creative integration that don’t come along very often. That was just the positive situation we encountered here – and the results are among the finest we’ve ever achieved. The project was organized by Lewis Bloom of Bloom Builders (Bethesda, Md.). We at Alpine Pool & Design (Annandale, Va.) have had the privilege of collaborating with him often through the past 20 years and have enjoyed a wonderful working relationship every step of the way. In this case, we were asked to get involved with a spec house he wanted to build on a steeply sloping, heavily wooded lot overlooking the Potomac River as it passes through Bethesda. Heading the design team was a prominent local architect, Robert M. Gurney, who has earned a reputation for beautiful Contemporary approaches to both residential and commercial projects. More to the point, he’s also known for his ability to maximize connections between built spaces and the areas that surround them. Everything seemed to mesh, and we
