column
My part of New York hasn’t been hit too hard so far, but it seems these days as though much of the United States is in the throes of a sustained and (in places) severe drought. Even where I am, we’re in what the meteorologists are calling a “moderate” dry spell. This turn of events has made me determined to design landscapes requiring as little water as possible – one consequence being that I now do all I can to avoid using large expanses of
It’s true for any watershaper: No matter how varied the work you do, it never hurts to be known for the ability to do something special – and for doing it exceptionally well. Through the years, for example, my firm has polished its ability to provide our clients with watershapes reflecting a wide variety of tastes, styles and features, but to an extent that sometimes surprises even me, we’re known among prospective clients for
For the past year and more, we’ve worked our way step by step through the many processes involved in designing and installing quality residential watershapes, starting from the first contact with a prospective client and working our way through, in the last two months, to the application of well-selected interior finishes. A concern I’ve always had with this step-wise approach is that it makes too many of these operations seem as though they happen in isolation and that decisions about design and materials and finishing touches are made as
Last month, I discussed the benefits of sustainability and its place in landscape and watershape design. As I hope I conveyed, I think it is incumbent upon us as professionals to be responsible for our actions and constantly aware of the effects our work has on the environment, now and in the future. With the current severe drought desiccating the southeast, ongoing water problems in the west and increasing pressure on the water-supply infrastructure nationwide, it’s more important than ever that we
Many great artists are best known for working in identifiable genres, styles or modes or with specific materials, themes or some other defining detail. From Picasso’s cubist abstractions to Mozart’s cascading melodies or Rodin’s bronzes to Frank Gehry’s sweeping architectural forms, geniuses of all stripes are in one way or another known for qualities that are distinctly theirs. The same holds true for many watershapers, especially those working at the top of the field. While many of us (myself included) cross the lines that divide distinctive modes, styles and genres, even the most free-spirited among us can be
Although the eye is commonly drawn to structures and other architecture elements found in any given exterior environment, very often it is trees that serve as visual anchors in modern landscapes. Indeed, they tend to be the largest objects on most properties and will often become focal points even in settings in which they might have started out in supporting roles. This dominance or even potential for dominance is why, as a lighting designer, I believe that trees should always receive
Last month, I entered into a discussion of the emergence of a whole range of beautiful finish materials that have helped (in my humble opinion) turn watershaping into an art form. My focus there was on glass and ceramic tile; this time, I want to turn the same sort of attention to plaster and exposed aggregates – huge additional factors in the industry’s ongoing creative momentum. Before I begin, let me draw an important distinction: The artistry in watershaping is not so much based on the types of materials we choose or how special or costly they might be; instead, it has everything to do with
It seems that everyone’s talking about “sustainability” these days, with the usual thought being that, as exterior designers, good environmental stewardship must be one of our main missions. But what is sustainability? What do watershapers need to do to encompass this philosophy? As important, what does it mean to our clients, and where are they in all of this? According the numerous sources I’ve consulted, sustainability is defined as striving for the best outcome for both human and natural environments, now and well into the future. In other words, it’s about
In my November 2007 column, I discussed the power of friendship and how it can enhance our professional and personal lives. Along the way, I used examples from my own career and kept the focus on a personal level. This time around, however, I’ll be broadening the focus and expanding the concept to cover cultural and even global relationships. One of my key points in November was that by surrounding yourself with a circle of diverse, passionate, knowledgeable and thoughtful friends, you
Not long ago, I was asked by a reporter from The New York Times to define the main difference between swimming pools now compared to what they were 20 years ago. As we talked, it became clear that she was mostly thinking about technological breakthroughs in pumps and chemical treatments and the like. I confirmed for her that, yes, those products had come a long way. But I wouldn't let her stop there, suggesting that there was much more than a run of technical advancements behind the explosion of interest in watershapes in the recent decades. What we've also been seeing, I said, is a latter-day Renaissance of interest in classical notions of
