applications
In one form or another, almost every landscape project uses stone. Whether it's ledger, rubble, pebbles or flagstone - on its own or woven into other hardscape materials - when it comes to shaping exterior environments, stone is one of the most versatile of all materials at your disposal. In my experience as a stone supplier, however, few landshapers understand enough about the properties and characteristics of available stone products to use them as effectively as possible. This is true despite the fact that inappropriate stone usage creates liabilities for both the installer and the client and that the need for eventual replacement incurs great cost down the line. Simply knowing which types of stone are dense and which are soft, for example, is enough to prevent many problems with installations and will make landscapes more successful. While placing beautiful slate on an exterior deck may seem a great idea visually, for instance, it will eventually disintegrate as a result of exposure to the elements, nobody involved will be happy - and everybody will recognize that it would have been better to
In one form or another, almost every landscape project uses stone. Whether it's ledger, rubble, pebbles or flagstone - on its own or woven into other hardscape materials - when it comes to shaping exterior environments, stone is one of the most versatile of all materials at your disposal. In my experience as a stone supplier, however, few landshapers understand enough about the properties and characteristics of available stone products to use them as effectively as possible. This is true despite the fact that inappropriate stone usage creates liabilities for both the installer and the client and that the need for eventual replacement incurs great cost down the line. Simply knowing which types of stone are dense and which are soft, for example, is enough to prevent many problems with installations and will make landscapes more successful. While placing beautiful slate on an exterior deck may seem a great idea visually, for instance, it will eventually disintegrate as a result of exposure to the elements, nobody involved will be happy - and everybody will recognize that it would have been better to
We live in a multi-dimensional world. Most people understand that space has three dimensions: height, width and depth. But relatively few people look at color in the same way - that is, as a three dimensional phenomenon. Understanding these three dimensions of color can become the key to unlocking your creativity as a designer. We began our study of color in LandShapes' May/June issue ("Designing in Color," click here), where we explored the scientific nature of color and its first dimension - hue, the name of a color (red, yellow, blue, orange, green or violet) - and learned that each hue has a temperature range (from warm to cool). We also learned that all six hues may be organized and better understood through the use of a helpful tool developed by color scientists called the color wheel. We will now continue our study of color by exploring the second and third dimensions of color and then by discussing contrast, analogous and complementary colors and color harmony. This will enable us to begin applying these fundamentals as landshapers and see in practical terms how understanding these fundamentals can help us become better
Even though color is literally everywhere, most people know surprisingly little about it. That's a knowledge gap designers in particular should overcome, says artist, colorist and teacher Judith Corona, who adds that understanding the nature of color, how it influences moods and emotions and how a color wheel works are all useful when it comes to making valuable recommendations to clients about their watershapes and landscapes.
The gardening impulse of the Japanese is truly ancient. In times before recorded history, sacred outdoor spaces around Shinto shrines and Buddhist temples were arranged according to this design vision. And through more than 1,000 years of recorded history, gardens have been created and refined by priests, warriors and emperors alike in spaces both public and private. The style isn't original in the strictest sense: In many ways, the gardens of Japan find their sources in Chinese gardening styles and landscape painting. But the Japanese developed and refined their borrowings to fit their own national taste for subtle naturalism and elegant rusticity. The result is an amazingly coherent and distinctive landscaping style that now can be experienced at hundreds of public gardens in Japan. The nice thing today is that you don't have to live in Tokyo to appreciate Japanese gardens - or to incorprate their principles into your designs. In fact, garden designers around the world now use the obvious elements of Japanese gardens - the stone lanterns, gravel and clipped azaleas - in naturalistic and asymmetrical settings of all shapes and sizes. In some cases, the total look of the garden is Japanese; in others, its principles are used to
