WaterShapes Classic
'During the past few years,' wrote Brian Van Bower to open his Aqua Culture column in March 2001, 'I've come to the stark realization that there are too few quality craftspeople in most geographical areas of our country. And it's not just the watershaping trades: The same holds true for most areas of the greater construction industry as well.' 'The hard reality is that, for many people in the trades, it's easier to do three ordinary jobs in a week than it is to do one challenging project over a month. I'm starting to think that
'If there's one thing about the watershaping world that continuously drives me crazy,' wrote David Tisherman in his Details column in March 2006, 'it's the existence and persistence of a sub-professional mindset that says creative designs and affluent clients deserve one set of standards, while projects with more affordable designs can acceptably be built to another, less stringent set of standards. 'To me, middle-class clients who've commissioned modest projects
'You'd think that having lousy-looking deck drains was inescapable, given that about 99.9% of them look like a thing you'd find in your shower.' That's how David Tisherman launched into his Details column in the January/February issue of WaterShapes 15 years ago, and he didn't mince many words thereafter. 'Whether you're using PVC or brass grates, they disrupt the surface of any decking material and to my way of thinking are
'Through the past two years,' wrote Mark Holden to start his January/February 2011 Currents column in WaterShapes, 'a handful of voices in this magazine and elsewhere have called for building pools without drains as a means of virtually eliminating suction-entrapment incidents. The response to this suggestion has been strong, both for and against.' 'In sifting through some of these discussions . . . one item caught my
'For years,' wrote Bruce Zaretsky to open his On the Level column in the January 2011 edition, WaterShapes 'has celebrated the beauty, majesty and positive potential of water in the landscape. We've seen it flowing down waterfalls, over vanishing edges, across slopes and through the air. We've seen what happens to colors immersed in it, how it creates shimmering light patterns, how it works its way over stone and, perhaps most important, the
'A big part of properly designing watershapes to meet specific client needs has to do with understanding how they'll be using the body of water,' wrote David Tisherman at the start of his Details column in January 2006. 'I always explore this issue with my clients, which is why, for
'One of the most common themes repeated in [WaterShapes] is that selecting materials for projects can make the difference between truly artistic designs and those that are either inappropriate or just plain boring,' wrote Bruce Zaretsky to open his On the Level column in the December 2010 issue. 'Materials truly matter, and the importance of knowing your options and
'For years,' wrote Brian Van Bower to kick off his Aqua Culture column in the December 2005 edition of WaterShapes, 'conventional wisdom has held that many of the advances in watershape design incubate in the commercial realm and then slowly percolate over to the residential market as our clients ask for features they've seen on vacation and elsewhere.' 'That paradigm holds up to this day in many ways, but what's less acknowledged
'Not long ago,' wrote Brian Van Bower at the start of his Aqua Culture column for the November 2010 edition of WaterShapes, 'I was reminded in a big way of the importance of understanding the international nature of our industry.' 'It was July, and my Genesis 3 partners . . . and I were on the Gold Coast near Brisbane, Australia, presenting a program at the Splash! Conference - an experience that, once again, underscored the fact that
'The creation of something outstanding, something that stirs an emotional response, something that establishes an ongoing, extraordinary experience for clients and anyone else who sees our work all starts with the passion we have in our hearts for art and its intimate relationship to what we do as watershapers.' That's how David Tisherman opened his Details column in the October 2005 edition of WaterShapes. He continued: 'I believe that unless you appreciate and
