THE ESSENTIAL E-NEWSLETTER FOR WATERSHAPE DESIGNERS, ENGINEERS AND BUILDERS June 10, 2020 www.watershapes.com FEATURE ARTICLE Tasteful Extravagance Patience, creativity and adaptability defined the design and installation process for this unique and beautiful project in Plantation, Fla. Along the way, explainsAndrew Kaner, the project team navigated multiple challenges while easing the way for clients who expected […]
Tag: waterfeature
Splinter Works Offers Hammock Baths
Splinter Works (Somerset, United Kingdom) has combined the functionality of a bathtub with the comfort and shape of a hammock to create a line of unique vessels called Hammock Baths. Made of layered carbon fiber and foam, the vessels are designed for easy access and can be adapted to a variety of architectural and interior […]
Team Building
By Kurt Kraisinger
This was a fun one – a project that was fully within our comfort zone but pushed us into new territory and gave us an opportunity to shine in a unique design context.
We had worked with the property-management firm before, and they called us in to have a look at a large space behind a multi-story office building in Overland Park, Kans., where we were also to meet with the building’s owner and some of the project’s stakeholders.
We had done well in our
Backyard Detailing
Poolside waterfeatures are awesome, says Bruce Riley, filling an area with sound and controlling key views into and out of the yard and around the water. Here’s a look at ways to assess what clients need from these details — and address a few issues they might not anticipate.
Ramuc Improves Its A2 Rubber Coating
Ramuc Pool & Deck Paint (Rockaway, NJ) has updated its A2 synthetic rubber-based coating. Designed to restore and upgrade previously painted pool surfaces as well as bare concrete, marcite or plaster, the VOC-compliant, high-gloss, easy-to-apply material also works on ponds and fountains and offers excellent hiding, coverage and protection. For details, click here.
2019/8.1, August 7 — An Unfolding Process, Artificial Turf, Design Emergence and more
THE ESSENTIAL E-NEWSLETTER FOR WATERSHAPE DESIGNERS, ENGINEERS AND BUILDERS August 7, 2019 www.watershapes.com FEATURE ARTICLE The Gradual Renovation It was a most unusual remodeling project, notesCarla Sovernigo. Partly it had to do with its scale and complexity, but mostly it was because it took three full years to finalize the design and then another whole […]
Constrained Expanse
By Raymond Jungles
In the course of my career as a landscape architect, I’ve had the good fortune to work on the full range of possible projects, from residences to commercial and institutional properties and in spaces ranging from the compact to the vast. Through all of this experience, I have to say that working on botanical gardens, in whole or in part, has been about as satisfying as it gets.
The first two articles in this three-part series have demonstrated some of the potential these facilities have to
David Harber Produces Mirrored Water Bowls
David Harber Ltd. (Aston Upthorpe, Oxfordshire, England) offers Chalice, a mirror-polished, stainless steel fountain bowl. Water clings to the outer surface, creating the illusion of a hemisphere slowly revolving on its axis. Available in four diameters from 30 to 60 inches, the bowls can be stacked as a waterfeature and illuminated for nighttime use. For […]
Adopted Vision
By Tanr Ross
As a pool designer, my preference is to sit down with prospective clients, listen to what they have to say about a pending project and, working with their ideas, the site and the budget, come up with a program that makes all of us happy and proud. For the most part, that’s the way things go for me these days.
But I also know that, on certain occasions, it’s necessary to go with the flow.
In the project covered here, for example, a super-affluent property owner had called on a respected architect to
The Show Begins
By Kurt Kraisinger
Each custom design project is, of course, different from any other. The client may be a known quantity, but the site and the budget won’t be and, as professionals, we always end up responding to unique sets of variables with eyes wide open.
In the first part of this series, we looked at the disembodied details and components that made up one of these unique design packages. Starting with this part and continuing into the next, we’ll examine at what was involved in assembling that particular set of features and, in this article, look specifically at how my collaboration with the client proceeded from initial contact to acceptance of a preliminary design.
Obviously, what I’ll describe here is