water
When my wife and I made the long drive from St. Louis to Los Angeles in October 2017, I knew that once we crossed the Missouri state line in Kansas City (the glorious "City of Fountains"), we weren't going to see any significant watershapes on the path we'd selected.
We stopped in some great non-aquatic spots in Kansas, memorably the Wizard of Oz Museum in Wamego and S.P. Dinsmoor's Garden of Eden in Lucas. But mostly we set our sights on pushing through at an unwavering pace to Durango, Colo., with thoughts of the natural wonders we'd find thereabouts dancing in our heads.
As we approached the Kansas/Colorado border, we had a stroke of luck: I received a call from a friend in Colorado Springs who, upon hearing where we were, offered to put us up if we'd take a little detour and head north rather than south once we reached Pueblo. It immediately put me in mind that a fountain I had long carried on the list of waterfeatures I wanted to see and discuss in WaterShapes was right there.
I knew about this fountain because on the few occasions when we published a feature article in which an artist used a helical or circular form as the core of a sculptural fountain, I'd get a note, call or email from someone telling me that what we'd published was great, but if we really wanted to see something transformative, the Julie Penrose Fountain in Colorado Springs was beyond description and well worth a visit.
Here was my opportunity at last: Our first day in Colorado Springs was filled with blustery winds, hoodoos and the Garden of the Gods, which let us reserve the whole of our second and final day for America the Beautiful Park, where the Julie Penrose Fountain occupies a special place.
The winds relented and the day was fair and warm - but I was blown away just the same: The Julie Penrose Fountain stands more than 40 feet tall, and although I'd seen photographs, I had no idea either how large it was or that it turned on its axis four times an hour. I was overwhelmed - and moderately drenched when an unexpected breeze lashed us with water and mist shortly after our arrival.
When we were safely back home, I put a note about the fountain on my long list of coverage candidates - and in the press of business a Travelogue I was truly keen to write slipped into a crack from which it has only now been rescued.
As I began my usual research on the fountain's creation and history, I came across the video linked below. It offers such a detailed perspective on the fountain that I'm going to let it do the rest of my work this time. Although the narration is almost painfully low key, the video itself captures the majesty of the sculpture, the transient beauty of the fountain effect and the sheer joy of hanging out in America the Beautiful Park with the mountains as a backdrop - even if you get soaked!
To see a video on the Julie Penrose Fountain in Colorado Springs, click here.
‘As you spend your days creating structures that contain and control water,’ wrote Brian Van Bower to open his January 2003 Aqua Culture column, ‘it’s easy to lose sight of the water itself. Yes, we’re conscious of the fact that we have to filter, treat and sometimes heat it, but in its role as the defining feature in our products, water is so familiar a participant that in some ways it almost becomes invisible.’ ‘I’d like to heighten our general awareness by
Grand Effects (Irvine, CA) supplies illuminated stone bases for use with its lines of fire…
It's not all that often that I use WaterShapes World to discuss a specific item appearing in our current newsletter, but this time I can't resist: The first in a series of three great articles appears in this edition, and I want to call as much attention to it as I can. In my last blog (click here), I wrote about the important lessons water-oriented professionals have learned through coping with