pool design
There are few things in the world of watershaping as dramatic or devastating as a popped pool. On their way up out of the ground, they'll shatter decks and coping, break pipes and conduits and, often, leave cracked shells behind and generally make a terrible mess. They also lead to one big first question from the owner: "So can you make it go back down?" I'm pleased to report that none of the pools I've built has ever risen above its assigned grade, but I live and work in the south, often in areas where
The first of this pair of articles mentioned that Julia Morgan had completed the architecture program at Beaux-Arts in Paris in three years rather than the usual five, but I didn't mention all of the circumstances. One of the rules of that institution prohibited the instruction of students after their thirtieth birthdays, which seems a totally bizarre limitation to us now but apparently made sense to French academicians at the turn of the 20th Century. Given the delays in her gaining a position at the school, she'd entered the program with the clock ticking and really had no choice but to
I've seen two articles recently that I must share - one inspiring, the other amazing. First the inspiration: It's tough for aquatic facilities to be recognized at all when it comes to the rigorous requirements of the
Renosys (Indianapolis, IN) now offers PolyGrate, a durable, versatile grating for pool perimeters. Made from…
Through the years, I've had the privilege of working on a number of historic swimming pools. From grand old plunges at Yosemite National Park to the small patio pool at the Virginia Robinson Gardens in Beverly Hills, Calif., I have often approached these treasured artifacts with two sets of eyes - first as an expert in forensics who figures out how the original design and construction came together, then as an engineer tasked with returning these precious vessels to good working order. Among all of the historic pools I've worked on, two of them fill me not only with pride, but also with the awesome sense that I'm collaborating with Julia Morgan, a woman for