installation
Part I: Setting the Course Theatrical vitality has to do with structuring stories and creating dramatic narratives that establish sensations of expectation, surprise and reward. It also involves the development of sympathetic, interesting characters as well as engagement in “the moment” – the feeling that a special and wonderful entertainment experience is unfolding before the audience in a specific time and place. Mastering all of that is a tall order under ordinary circumstances, so you can imagine how we felt in trying to help make it happen on the exposed, unpredictable stern deck of Oasis of the Seas – a prestigious ship that currently claims the title of world’s largest cruise liner. Fluidity – a Los Angeles-based water design studio – pursues unique, progressive projects for an international clientele that includes architects, landscape architects, civic institutions and real estate developers. Through the years, we’d had considerable experience with theatrical
Decorative-concrete artist Tommy T. Cook has built a reputation for being able to create almost anything from concrete using an array of highly refined and boldly artful processes. In this feature, he demonstrates a portion of that skill by describing how he uses the gargantuan Gunnera plant to craft watershapes in which replicas of the plant’s outsized leaves serve as uniquely natural fountain basins and spillways. Ask anyone who’s tried and it’s almost certain you’ll hear that replicating nature isn’t easy. That hasn’t stopped artists throughout history from trying, however, or from making natural forms an influential source of artistic imagination and ambition. The great thing about using nature for inspiration is that it’s all around us and all we need to do to draw on it is open our eyes, make good choices and decide how what we see can be used in our creative endeavors. In my case, I’d worked in decorative concrete for a long time before nature crawled under my skin. It began when
Have you ever noticed how often the costliest part of a project turns out to be something that will ultimately be hidden from view? This happens quite frequently in projects involving any sort of slope, where the piers and grade beams beneath swimming pools, for example, can cost far more than the rest of the overall project. In my own work, I’ve noticed this budgetary quirk most frequently when it comes to retaining walls, where providing the foundation they need to withstand the forces applied by a slope can be startlingly extensive and expensive. It’s not what you’d call glamorous work, but it certainly is important – and will vanish completely from view. Most often, we’re called on to build these walls when
Despite our fondest desires, it’s quite inevitable that most of the things we humans design and build are impermanent and will change. That’s particularly true of the greenery we place in and around our gardens and watershapes, simply because plants grow and gradually alter the settings they surround or inhabit. There’s a measure of melancholy in this evolution: As designers and installers of these spaces, we’re left to recognize that in most cases we will never see them at their best and most beautiful. Yet that’s as it should be, because any living work of art will continue to develop and improve long after it is technically “completed” by our hands. There’s also great joy in creating naturalistic watershapes and garden spaces, because I see the art of finishing as an exercise in setting the table for the future. In fact, I see this as being remarkably empowering: By participating in
There’s something truly wonderful about working on properties that are in one way or another historic: In a very real sense, they give you a rare opportunity to participate in the past while at the same time you are conceiving and forming a place for the future. This project is a case in point: My endeavors here gave me the chance to beautify a truly splendid 1905 private home in southern Wisconsin and complement its amazing Palladian/Greek Revival-style bone structure with a contemporary composition in rock, plant material and water. The owner, who has a passion for architecture and historic preservation, had already completed a total restoration of the buildings. The grounds, however, still left much to be desired. The property manager had worked with me on a previous project, and he suggested that I should be brought in to revitalize the space – the centerpiece of which would turn out to be
If there’s ever been such a thing as a match made in heaven, swimming pools and landscape lighting lay a strong claim to that perfection. Separately, they take little-used spaces and transform them to all-day hubs of activity and sources of constant beauty. Together, however, the magic starts, with pools and landscape lighting systems accentuating each other’s virtues in ways that are tough to quantify or adequately describe. To landscape lighting designers and installers, pools offer a
Places just below the earth’s surface have been a resource for heating and cooling basically since the planet took shape. Ever since, all sorts of creatures have taken refuge from excessive heat or extreme cold by burrowing into the soil, and it’s no accident that some of the earliest examples of human self-expression have been found in caves deep below the surface. With pools and spas, however, up until recently there’s always been a legitimate question about whether this timeless heating/cooling approach was workable on any sort of cost-effective basis. If recent projects designed by my firm, Aloha Pools Design Studio (Franklin, Tenn.) are any indication, that question has now been answered with a resounding yes. On the face of it, that answer seems obvious. After all, the U.S. Department of Energy says that geothermal heating is more cost effective than a 95-percent efficient gas heater – and that the same would be true even if 100-percent efficient gas heaters were available. Only recently, however, have the suppliers of these systems reached a point where their equipment is
It was no easy task: We were called on to take the majestic landscape defined by the confluence of the Mississippi and Missouri rivers; use it as a template for an urban oasis filled with sculptures, plants and water; and develop a park that would mesh seamlessly with its surrounding urban spaces. Furthermore, they wanted this park to appeal to every conceivable user – people of all ages, needs and backgrounds – while also serving as a catalyst for growth and a profound revival of the city’s core. And not only was the space to carry that symbolic load, but it also had to function efficiently with long-term reliability. We at Hydro Dramatics (St. Louis, Mo.) know from experience that projects of this scope and scale require much planning and coordination to go along with large measures of innovation. We also know that these types of challenges make success that much sweeter. So we jumped into the task with all our energy, supporting the design team charged with developing Citygarden, a 2.9-acre parcel to be filled with
For years, pond/stream specialist Bob Dews has sought perfection in the art of creating naturalistic bodies of water. Just last year, however, a client challenged him to reconsider his usual approach to pond design and develop one expressly for swimming. The result seen here is a composition in rock, plants and water that, rather than serving as a home for fish and aquatic life, is instead a safe environment for people – and lots of aquatic fun. It’s no secret that many homeowners who have ponds on their properties use them to cool off or even for swimming. These bodies of water are seldom intended for such purposes, but because of humankind’s affinity for water, the fact is that ponds often become “swimming holes” in which people are happy to
