education
It’s a bit hard for me to believe it, but it’s now been fully 11 years since I attended my first Genesis 3 design school. One of the events I remember most clearly from that first session was (among many others) David Tisherman laying out a bunch of books and recommending that we should immediately obtain and read all of them. Always looking for a firm foothold, I asked him which one I should read first, and, without hesitation, he pointed to Janson's History of Art: The Western Tradition. I didn’t act on his advice right away, but I eventually acquired a copy and started reading – and it took me nearly
One of the things I love about my chosen profession is that no two days are exactly alike: Instead of installing the same design in the same way day after day, I’m constantly forging ahead, taking new paths, moving in new directions. With these explorations come many opportunities to learn new techniques and work through new ideas. And I like the fact that I’ve built a reputation as someone who enjoys pushing the envelope and trying out approaches I haven’t
In my capacity as landscape consultant to a town near where I live, I was approached recently by a landscape architect who was just starting her career after graduating from a prestigious, five-year landscape architecture program in my home state of New York. She was designing a butterfly garden, she said, and wanted to know what plants to use. As I ran down the list, she asked me to stop at one name in particular and spell it. The plant in question was
I’ve always believed that creativity is a direct result of our ability to embrace the ways we are influenced by others. In my case, I grew up in Virginia in a family deeply involved in the art of landscaping. My grandmother was a master gardener who had an amazing ability to craft beautiful outdoor spaces – a skill and affinity she passed down to my father, who shared it in turn with my mother. In addition, I had an uncle who ran a spectacular nursery we’d visit several times each year. It’s no exaggeration to say
Through the past several months, we’ve heard all sorts of voices discussing the current state of economic affairs – including mine in last month’s “Aqua Culture” column, but, more predominantly, those of representatives of the 24-hour-a-day news media. Anyone who isn’t living in a cave is by now aware that we’re caught up in an economic crisis of global proportions and that the consequences may be dire. We’ve heard that line so often and with such fervor, in fact, that it’s
Ten years ago, back when WaterShapes was in its infancy, the idea that swimming pools and spas had much in common with other forms of contained water (including ponds, fountains and streams) was a true novelty: All of those worlds seemed light years apart. In this past decade, however, things have changed and there's now widespread recognition that these seemingly disparate aquatic categories do indeed share many important characteristics and challenges. All of these systems contain water, for example, and circulate it in such ways that it stays safely clear and clean. All can be beautiful as well, whether they
Ten years ago, back when WaterShapes was in its infancy, the idea that swimming pools and spas had much in common with other forms of contained water (including ponds, fountains and streams) was a true novelty: All of those worlds seemed light years apart. In this past decade, however, things have changed and there's now widespread recognition that these seemingly disparate aquatic categories do indeed share many important characteristics and challenges. All of these systems contain water, for example, and circulate it in such ways that it stays safely clear and clean. All can be beautiful as well, whether they
When Jim McCloskey and I began working toward the launch of WaterShapes in the summer of 1998, we knew that making our new magazine into something completely different would require expert advice from top people in the field. One of the first I suggested turning to was Dr. William N. Rowley. By that time, Bill’s accomplishments in the field of
Even as one who makes a living writing and editing, it’s difficult for me to find words sufficient to describe the experience of meeting and getting to know Anthony Archer Wills. The best I can do is to describe encountering him as being something akin to
Tomorrow’s Advocates