determination
“I’m mad as hell, and I’m not going to take it anymore.” Those words (originally uttered by the fictional newsman Howard Beale, for those of you who remember the movie “Network”) reflected the frustration of a man overwhelmed by the forces that governed his working life and the society in which he lived. His declaration became the rallying cry of a movement that formed around his sense of outrage. I’m in that same sort of outraged mode right now and find myself on a similar quest for allies: I want the watershaping industry to change now and for the better, but
Not long ago, a friend and I were talking the about worn-out phrases, and “thinking outside the box” was one of them. As he pointed out, it’s remarkably ironic that we now use a cliché to
Every once in a while, I find it useful to read something purely for inspiration. Especially as the busy season heats up, I truly enjoy the thought of stepping away from the grind and getting lost in the pages of a good book. Most recently, I picked up Ayn Rand's classic, The Fountainhead (Penguin Books, 1994), and found not only a terrifically entertaining story, but one that I also see as useful on the professional front because of its many insights into issues of creativity, design and personal integrity. Let me start by saying that I'm not offering this unusual entry as an endorsement of Rand's controversial philosophy. There are plenty of ideas presented in this long, 700-plus-page book that don't align with the way I see things, and I have no intention here of commenting on Rand's "objectivism" in any way. To me, the core of the story is
With a busy schedule, it's too easy to use the same tools repeatedly in project designs. Yes, you can mitigate the repetition to a certain extent by using those tools differently each time, but the fact remains that many of us tend to design over and over again with the same plants, hardscape materials and structural approaches because it's what we know and trust. But let's face it: Most clients don't want exactly what someone else has; instead, they want one element from this garden and a special plant from that one. From a design perspective, selecting new plants every time is
