deck

Great Wavelengths
When you look at this project in finished form, there's no way to see the months of struggle or the overall level of difficulty that went into its creation. You don't see the fact, for example, that we discovered while excavating the courtyard that the house itself was in imminent danger of collapsing.  You don't see that the narrow access way buckled when we first started working, or the ugly trauma of the broken septic tank.  You can't see the continuous changes in thought, direction and design that went into the deck, or the tremendous time and effort required to make the
Material Issues
It's a little too easy to lose sight of what holds the most meaning our work as watershapers - even when it's out there in plain view. In fact, if we're to be honest in assessing the palette of finish materials we use, I think most of us would have to concede that these products can become so familiar that thinking creatively about the full spectrum of their possibilities is something that often falls by the wayside.   I believe we should be on guard against
New World Impressions
                                   The people who once inhabited modern-day Mexico's Yucatan peninsula were remarkably sophisticated.  Their civilization was based on a deep-rooted knowledge of astronomy, mathematics, hydraulics and engineering.  They quarried stone and moved it hundreds of miles on rollers, using this raw material and incorporating it into highly refined buildings, temples, roads and monumental works of art that rival those of the better-known cultures of ancient Europe, Africa and Asia. In 2001, I traveled extensively in the Yucatan to experience the region's culture and view masterworks from many centuries past.  What I found was a sense of form, line and pattern in the ruins of
Material Implications
One of my guiding principles has to do with the fact that early decisions my clients and I make about materials have a huge influence on how my watershapes ultimately are designed and built.   The project we've been following through the past few issues is a perfect case in point:  The choice of the bluestone coping and of the one-inch glass mosaic tile for the pool's and spa's interiors started the wheels turning and definitely drove the early stages of the design process. As I've mentioned before, this project and its unforeseen problems (as well as clients who were at times unsure of exactly what
Averting Disaster
Every once in a while, being right is not such a great thing! Last month in this column, I described the initial phases of a spectacular project in Malibu, Calif., and one of the things I mentioned was the fact that from the moment I stepped onto the site, I suspected that there might be some serious problems afoot.  This impression was based largely on what I saw to be substandard construction of the existing swimming pool and on concerns about the elevation of the deck relative to the structure of the house. Unfortunately, those initial impressions turned out to be
A Classic Crescendo
'Project of a lifetime" may not be enough to describe our work at Cima del Mundo. If you'll recall, the hilltop home had experienced many changes since its original construction in 1925, including service as a makeshift monastery as well as a stretch of years in which the property was abandoned and
Woven Beauty
This project is all about making connections - connections between the inside of a home and the outdoors; between surrounding wide-open spaces and an intimate backyard; between the colors of the hillsides and the materials used in crafting the watershape; between the clients' desire for recreation and their passion for beauty; and between the beauty of nature and the modern, sculptural lines of the design. If you've followed my "Details" column in WaterShapes in recent months, you've seen many of the components that have been incorporated into this particular
Picture Perfect
In February 1999, the cover photo on the premiere issue of WaterShapes showed a steel cage for a subgrade piling being lowered into the ground.  That image was taken from a feature article by designer/builder David Tisherman, the first of many that he has contributed to the magazine.  In that article and in another that followed in April 1999, he detailed the design and construction of an elaborate residential swimming pool project that he
The Art of the Rectangle
This really wasn't a job for the timid. The ground was unstable, access was limited, and the customer could afford to make massive changes along the way.  Other than that, of course, the project was a piece of cake. The truth is, I enjoy a good challenge.  People who know me well are aware that I revel in tackling jobs that test my mettle - and this was definitely one of those cases. Ultimately, it turned out to be one of the most satisfying and beautiful projects I've been involved with in a long while. The site is located on