conservation
It comes up almost every time: Our clients tell us they want to increase the energy efficiency and overall environmental friendliness of almost everything they plan to do with their homes, landscapes and watershapes. It truly is a “green revolution,” and, as is true of most clients, they’re looking to us for guidance in what can be accomplished. From out perspective at Rosebrook Pools in Libertyville Ill., this trend kicked into high gear about three years ago – not surprising at a point when gas and other fuel prices started to soar. We’re proud of the fact that we saw this coming and had, for about five years already, been considering and implementing eco-considerate features into our watershaping and landscape work. In doing so, we took many of our cues from the
Of all the roles we watershapers and landscape professionals play in enhancing the basic value and character of the areas in which we work, I would argue these days that preserving the health and beauty of natural forms of water and their associated landscapes might well be the most significantly “green.” I live and work on New York’s Long Island, which is one of those fortunate places defined by natural beauty and abundant waterforms. With our pristine wetlands, bays, freshwater ponds and sand-dune-draped ocean vistas, it’s a place that’s long been treasured by residents and visitors alike. It’s also a place where I, as a local landscape architect, see my mission as one of creating spaces that please my clients by enhancing their properties while also fulfilling a responsibility to be a good steward of the environment on their behalf. Projects here typically involve working around environmental setbacks designed to protect natural bodies of water. While such rules are common to many areas across the country, here the enforcement is so stringent that it almost invariably shapes our designs and often calls for unusual serenity in dealing with regulatory agencies and inspectors – and for clear, effective communication with clients. In effect, we must reconcile
Whether you’re a watershaper or a landscape architect, designer or artist, I’ve always felt that those of us who work on exterior environments should stand on the front lines of the “green movement.” After all, we move the soil, alter the terrain, plant trees and shrubs and define the use of water, among many other things. In the course of doing what we do, in other words, we alter (sometimes profoundly) the environments in which our clients live and work. It seems the media are taking notice. Every year, for example, our
I wasn’t surprised when Jim McCloskey suggested that it was high time for us to produce a Green Issue of WaterShapes: I’ve known him for more than 20 years and have long admired his dedication to environmentalism, recycling and keeping the planet healthy for his children and everyone else’s children as well – beliefs I wholeheartedly share. I was, however, caught a bit off guard by
The renovation and restoration of historic watershapes and their surroundings is a rather peculiar specialty. After all, such projects don’t come along very often and never amount to enough to be considered a primary business focus. Even so, whenever and wherever they present themselves, those who get involved must always be ready to meet sets of very specific and often unusual challenges. The fact that these sites are historic, for instance, means that they also tend to be old, so they almost invariably come with surprises with respect to how they were originally built, what sort of remodeling and repair work has been done through the years, how they’ve been maintained and, often, the degree to which they’ve suffered from neglect or even abuse. Original plans can be hard to come by, so from the start there’s a need for a good bit of educated guesswork and a fair measure of improvisation. On top of that, you also have to be prepared to deal with members of any number of community organizations and historical societies ( not to mention concerned citizens, donors and benefactors) – all of whom have
It seems that everyone’s talking about “sustainability” these days, with the usual thought being that, as exterior designers, good environmental stewardship must be one of our main missions. But what is sustainability? What do watershapers need to do to encompass this philosophy? As important, what does it mean to our clients, and where are they in all of this? According the numerous sources I’ve consulted, sustainability is defined as striving for the best outcome for both human and natural environments, now and well into the future. In other words, it’s about
Creating watershapes and landscapes that are natural in appearance is always a challenge, says Ken Alperstein of Pinnacle Design, a firm that specializes in high-end projects related to top-flight golf courses. For this project in Shady Canyon, however, the ante was upped considerably by the site's location in an environmentally sensitive coastal canyon in southern California - a design challenge intensified by regulatory scrutiny every step of the way. It was a job that forced everyone involved to be on exactly the same page at all times. The landscapes and watershapes at the Shady Canyon Golf Club in Irvine, Calif., were developed by the Irvine Company as the heart of an upscale residential community. The wilderness area set aside for the course and its immediate surroundings had a subtle, bucolic charm all its own - a character the design team needed to
With greater force than ever before, water conservation is back on the minds of governments, landscape professionals and property owners these days - and for good reason: The combination of growing demand and recurring periods of drought has sensitized people in many parts of the country to the fact that water isn't an infinite resource. Even this new magazine is part of the dialogue: In the September/October 2006 issue of LandShapes, James Minnich defined the need for landshapers to become more
Sometimes it's the small things that give a project its character and value. In the case of landscape design and installation at the Cross Valley Water District facility, we were able to take a relatively modest property and transform it into a demonstration campus that illustrates how man-made environments can be used to enhance the natural surroundings and meet the needs of human beings - and do it all with grace and harmony. I became involved in this project in June 1998, when I was approached by Brandt McCorkle, Lee Beard and Galen Page of Page & Beard Architects. That firm had been chosen to design the water district's new headquarters building and had developed a craftsman-style structure that blended perfectly with its rural, wooded surroundings. Set on five acres in Clearview, Wash., the district office serves
