backyard design

A Story in Stone
Through the years, my experience in designing and building naturalistic and architectural watershapes has led me into several situations in which my clients have wanted to use a special heirloom or artifact of some kind as
Opening Up
I've always believed that an unlimited budget is not essential to making design magic.   While having clients with deep pockets and a willingness to dig deeply into them is always nice and allows us a bit more leeway when it comes to artistic license, I've always observed that having relatively few constraints also tends to make some designers creatively lazy.   By contrast, I've often found small-budget, small-space projects to be creatively stimulating.  A couple of columns ago, for example, I discussed a project we'd been working on that posed challenges with its sunken deck footings and the need to accomplish a lot with
Opening Up
I've always believed that an unlimited budget is not essential to making design magic.   While having clients with deep pockets and a willingness to dig deeply into them is always nice and allows us a bit more leeway when it comes to artistic license, I've always observed that having relatively few constraints also tends to make some designers creatively lazy.   By contrast, I've often found small-budget, small-space projects to be creatively stimulating.  A couple of columns ago, for example, I discussed a project we'd been working on that posed challenges with its sunken deck footings and the need to accomplish a lot with
Ultimate Mystique
One Saturday during the summer of 2000, I sat down for breakfast in Santa Monica, Calif., with Suzanne and Ron Dirsmith.  They had just published the first of what have now become several articles in WaterShapes and had flown in from Chicago to