approach
My work as a landscape architect is usually recognized for two distinguishing characteristics - first for the inspiration I draw from my friend and mentor, the late, great Brazilian environmental artist Roberto Burle Marx, and then for my driving ambition to preserve and restore habitats, as expressed in projects throughout South Florida and across the Florida Keys and various islands in the Caribbean and the West Indies. This is why seeing the project discussed here comes as something of a surprise to many who are familiar with my work: It's located in Big Timber, Mont., a blip on the road between
When I was a student, it generally upset me when a class came nowhere close to completing its agenda. This was especially true in college, but it even reached back into high school, when I'd feel almost cheated that the last five chapters of a 25-chapter textbook fell into some crack at the end of the year, never to be seen or heard from again. I could rationalize it in
“I’m mad as hell, and I’m not going to take it anymore.” Those words (originally uttered by the fictional newsman Howard Beale, for those of you who remember the movie “Network”) reflected the frustration of a man overwhelmed by the forces that governed his working life and the society in which he lived. His declaration became the rallying cry of a movement that formed around his sense of outrage. I’m in that same sort of outraged mode right now and find myself on a similar quest for allies: I want the watershaping industry to change now and for the better, but
When people ask me what I do for a living, I like to tell them I'm a Texas-style maverick in the world of watershaping. That's a lighthearted way of characterizing what I do, but it speaks the truth when it comes to describing what I think this industry is really all about. Indeed, I see the best watershaping as being defined by a pioneer spirit and an appetite for innovation - a drive and hunger that convincingly overcome the all-too-common fear of trying new ideas, technologies and approaches. In my 37 years in the business, in fact, I've seen the process of shaping water change radically from what I witnessed when I started out in the 1970s. All those years of change and experience have helped me look at the art of watershaping in new ways: As have many other opened-minded artists in this business, I've
As part of my work on movies and television shows through the past dozen years, I've developed a range of special effects that focus specifically on fire. For the science fiction hit Men In Black, for example, I was charged with devising the flame-spewing weapons wielded by Tommy Lee Jones and Will Smith in a spectacular scene in which they shoot down a flying saucer. That system involved a range of safety issues along with devising a specially formulated fuel (alcohol mixed with various metals) to create blue flames as well as a combination of inert gases and electronic control systems that were used to extinguish the fire and protect the actors. As is the way with so much in Hollywood, an on-screen sequence that lasts just a couple of seconds took my team
Everywhere you turn these days, you see watershapers tackling projects that would have been unthinkable even a few years ago. It wasn't that long ago that simply raising a spa seemed like a big challenge, but these days vanishing edges, perimeter overflows and other ambitious details have become relatively common. And it's not just technology: Watershapers are gravitating toward great materials, colors, hardscape, plants and amenities - signs of real growth and, for the most part, a very good thing. With this broadening list of possibilities, however, have come some growing pains. The industry's like a teenager with
As modern building materials have been developed, we humans have been remarkably proficient at applying them in ways that go well beyond the vision of their inventors. Such is the case with roofing membranes, which now are widely used as liners for backyard streams and ponds. It's understandable that landscape designers and contractors have taken to these rubber liners. After all, they make pond and stream construction inexpensive and easy. But from the perspective of the Japanese gardener or quality watershaper, convenience and affordability alone do not qualify a material for use. Instead, standards of durability and enduring
During a presentation to a recent conference for the swimming pool and spa industry, I tossed this nugget to the audience: "By a show of hands, how many of you in this room believe that most people think highly of our industry? Please be honest." It was a mixed group of more than 160 people representing manufacturers, distributors, manufacturer's representatives, retailers, service/maintenance firms and, in the majority, pool and spa builders. Even with all of these different segments of the industry in the room, not a single hand went up. As one who often
Pioneer Pride