Most people know Maya Lin for her bold design of the Vietnam Veterans Memorial in Washington, but watershapers in particular should become familiar with a range of her other works as well. For nearly 15 years, reports William Hobbs, his company has been involved in producing intricate water effects for the famous artist, whose works draw fascinating connections between observers and the mysteries of time and nature. The marriage of water and art can be extremely powerful and evocative, especially in the hands of a great designer. One who has taken the use of water to sublime and fantastic levels is Maya Lin, the artist who rose to prominence as a
Many years have passed since I first saw pictures of China, but my desire to travel to the Giant of the Orient has never waned. In recent years, in fact, that interest grew ever stronger as I watched all the new information emerging from China as it has slowly opened itself to the Western world. I’ve been particularly fascinated by documentaries on the Yangtze River and The Great Dam that China is building to manage its floodwaters. This past spring, I visited China to see its amazing gardens with my own eyes and travel down the Yangtze through the fabled Three Gorges and the Lesser Three Gorges. I went seeking inspiration and came back with more than my quota of thoughts on the mysteriousness and tantalizing vagueness with which
If you can't see potential in every backyard you walk into, then you're in the wrong business. Yes, some projects are more inspiring than others, and some spaces seem to offer you more to work with than others. Without exception, however, our clients' yards present us with opportunities to develop programs that take advantage of what's there in ways that bring balance and harmony and interest to any setting. Speaking for myself, I'm no more energized in a project than when I get the opportunity to right a wrong and replace a past mistake with a fresh, interesting design - and that was certainly the case in the project discussed in this article and in my past several "Details" columns in this magazine. The setting was special, the clients were great and I was given free rein to work with color, shape and line in vivid, interesting and even startling ways - all in keeping with their wants and desires. SETTING THE SCENE To recap information from recent "Details," this pool/spa combination with its associated decking, walls, planters, outdoor cooking facilities and private garden area are located in a narrow yard at the base of a slope in Pacific Palisades, Calif. It's a spectacular
The Pacific Northwest is full of spectacular scenery. From where I live near the Puget Sound, for example, you can see the Olympic range running along a peninsula to the west and the Cascade range off to the east. Looking southeast, Mt. Rainier is a silent, majestic sentinel silhouetted against an ever-changing sky. It's a beautiful place to live and perfect when it comes to design inspiration - especially when your work is creating naturalistic gardens and watershapes. One of the most spectacular waterfalls in the entire northwest is just a short drive up Interstate 90 from me, a place called Snoqualmie Falls. Local hiking trails are dotted by scores of perennial waterfalls that cascade down mountainsides. For me, there is nothing more refreshing than clambering up a steep grade and rounding the corner to find a misty, shady waterfall. It invigorates the soul and encourages one and all to keep climbing in the hope of seeing even more spectacular scenery. The attractions of nature and its inherent beauty are much enjoyed by people who live around here. In recent years, I've seen a trend toward bringing slices of that grandeur down to a residential scale in gardens that use water in motion as a key feature. It's the water that
Just as a painting comes alive with a tiny lamp perched over its frame or a simple landscape becomes a nighttime spectacle with strategically placed spot and flood lights, illuminated water creates an intense experience for the eyes. Lighting adds depth and dimension while revealing subtle details and producing emotional responses among those who view and enjoy these scenes. The simple truth is, if we didn't light water in fountains and other watershapes, much of its visual beauty would be lost. As we discussed in "Guiding the Lights" (WaterShapes, March 2001, page 48), understanding and applying the various approaches and techniques of lighting water enables professional watershapers to operate on whole new levels. In the following pages, we'll continue that discussion with a look at what it takes to maximize the aesthetic effects of water in motion and discuss some practical issues having to do with lighting installation and safety. SOLUTIONS IN MOTION Last time, we identified the various categories of water effects, design considerations for each and the most effective of the available lighting solutions. This time we'll
Sometimes, it's the unexpected that gives a place its true spirit. That's been very much the case for The First Church of Christ, Scientist, a 1975 addition to Boston's historic Back Bay district. The site features a campus plan devised by legendary architects I.M. Pei and Peter Walker, with grounds organized around a central reflecting pool flanked by a circular, ceremonial display fountain. The famed fountain is enclosed by an equally famous bosque of linden trees pleached into lollipop forms. For Bostonians and visitors alike, this classic design has become part of the urban fabric - and the church's plaza a popular gathering place. Not long after the original work was completed, children from surrounding neighborhoods (the South End, Fenway and the Back Bay) discovered the wonderful play opportunities associated with the 180-nozzle deck-level fountain, especially during the hot summer months. Since 1975, literally thousands of kids with their families in tow have made this space their summer hangout, and now second-generation children are being brought to the fountain by parents who grew up playing in its irresistible jets of water. From the start, however, there was a problem with
I have a confession to make: I've never really been much interested in art. That may seem surprising coming from someone who has a degree in landscape architecture and has dedicated a career to design. Fact is, I was never exposed to different types of art or to art history in any serious way: My high school didn't offer it, my family wasn't big on it and my landscape-architecture curriculum didn't require it. This never really bothered me, and the fact that nobody seemed to care
Let me introduce you to an exciting project I've been working on most of this year. Right from the top, I'll say that even in the realm of the unique and rarified, this one is truly amazing. The clients are quite well-to-do, and the moment you walk into their home, you can't help recognizing that they are accomplished art collectors with an eye for modern masters as well as folk art. Their beachfront Malibu, Calif., home - one of
Most people who know me will tell you just how independent I am. Some, in fact, will say that I'm too independent for my own good. When it comes to business, however, I know that being a soloist carries me only so far: Rather, it's the relationships I've established and maintained within the business community that have taken me beyond the independent realm and helped me achieve the success I was looking for when I started my business. As a designer, I work
I don't know if it's because I work in the pool and spa industry or if this is common to other fields, but I know a great many people who run businesses who are ill-prepared to do so. Architects and landscape architects might have taken some classes that introduced them to basic business principles, but their counterparts in the pool and spa trades are far less likely to have taken such classes and tend to run things by the seat of their pants. In my case, I've learned what I know about business through seminars and business-oriented reading. I've made
