Pools & Spas

Tuscan Flair: Martha and Randy Beard’s and Lynn Pries’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
The Red Pool: David Tisherman’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Embracing the Past: Mark Holden’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Starry Night: Ron Gibbons’ Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Liquid Stages: Steve Oliver’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Coloring with Clay
I've been playing with clay for a long time - ever since 1968, when I took my first ceramics class in high school.  Clay has captured my imagination mainly with its flexibility:  I can carve it, build with it and even color it. For years, I've sculpted pieces of tile out of stoneware and porcelain clay.  The individual pieces are then combined to create mosaic compositions, which, among other things, means that I'm able to create works of art that can go just about anywhere and are especially at home in and around water. Now, more than 30 years into working with this wonderful medium as a potter, then as an art student in the United States and Italy and especially in
Good Chemistry
Water is a chemical compound with a variety of physical characteristics, including the ability to act as a solvent and to harbor life.  For those two reasons alone, says chemistry expert Jeff Freeman, watershape designers and builders should want to know everything they can about water chemistry -  but they typically don't.  Here, he begins a new series on the importance of water chemistry with a discussion of why watershapers really do need to care.  
The Complete Retreat
Finishing up a project of any size is all about the details.   From the final touches on the artificial rockwork and the placing and adjusting of lights to the fine tuning of the circulation system and signing off on the equipment room, the art of fine watershaping ultimately boils down to applying the same stringent standards for excellence that you bring to the beginning and middle of the project straight through to the end. Of course, it's virtually impossible to complete a project of this magnitude without
Revisiting the Spillway
As much I enjoy seeing my own projects come to fruition, there's something wonderful in seeing watershapers I know achieve great results in their work.  I admire and encourage the effort, especially when the outstanding outcomes are the result of a professional's concentrated efforts to improve his or her own skills. This is one of the reasons I teach:  I take great satisfaction in sharing my techniques, sensibilities and the conviction that what I do is special, a true form of art.Sometimes I speak with former
Valve Values
Watershape construction is far more sophisticated now than at any time in history.   Swimming pools, for instance, are commonly designed to include spas with complex jet manifolds and a wide variety of controllable effects, while vanishing edges, perimeter-overflow details, multiple water levels and various water-in-transit designs are also increasing in popularity. Fountains and waterfalls and the full range of other waterfeatures also are more elaborate, and what all of them require are well-planned systems of valves to control and divert water to all the necessary components, effects and details.  These are situations in which valve choice is, in fact, critical to hydraulic-system design. The many types of valves can be separated into three specific categories roughly according to application.  There are some that divert water, others that isolate water and still others that