WaterShapes
S.R. Smith (Canby, OR) manufactures Color Light Streams, a line including laminar jets, star-floor systems…
VacCare (Simi Valley, CA) produces the Model AR300 automatic air-relief safety valve for use in…
Diamond Spas (Frederick, CO) makes glass-wall systems for use with swimming pools and spas. Featuring…
Bobé Water & Fire Features (Phoenix, AZ) manufactures Rain Fall, a waterfeature that captures the…
Pentair Aquatic Eco-Systems (Apopka, FL) has published its 2016 Master Catalog. With more than 300…
'I do not understand how anyone can live without one small place of enchantment to turn to.' - Marjorie Kinnan Rawlings As watershapers, we draw upon the sound and presence of water to soothe souls, using nature to guide and inform us. In the small pond project featured here, for example, the watershape component of the composition is meant to
I had a friend many years ago who tried in vain to persuade me to visit Detroit. She'd grown up there, and despite the city's many problems, she still harbored the born-and-raised view that her home town had so many virtues that simply seeing the place would be enough to win me over.
I never made the expansive sightseeing trip she'd always urged me to take - no time for that! But as it turned out, I did manage a short visit not long ago when my flight back from Canada and through Detroit was late enough that I missed my connection to Los Angeles. Making matters worse, it was a weather-related problem and I was far from alone in needing to find both accommodations for the night and another way home.
Long story short, I stayed the night in a downtown hotel, and the earliest flight I could book the next day was late in the afternoon. I'd wanted to see Isamu Noguchi's famous Horace E. Dodge & Son Memorial Fountain for a long time, and this was my opportunity: I had breakfast and ventured forth.
Nothing worked out on that gray, miserable January day: The weather was horrid, the hotel wasn't convenient to the riverfront plaza where the fountain stands so imposingly, and, topping things off, the whole plaza had been rendered inactive by vandals who had raided its maintenance facilities to scrounge the copper plumbing. So the fountain was as dry as a wet, near-freezing day would let it be and my whole accidental visit was a colossal bust.
As a sculpture, however, Noguchi's 1978 tribute to the industrial prowess embodied by one of auto manufacturing's leading families is vastly impressive. It's sometimes said that it looks like a gigantic wingnut, but the comparison is unkind and serves, unfairly I think, to undermine the composition's dignity, grandeur and symbolic strength. And it does stand 30 feet tall, with its fountain basin surrounded by an eight-foot-tall, granite-ringed structure that conceals the nozzles and lends an air of mystery to the fountain works.
Apparently there's also a choreographed light display that animates the fountain's surface after dark - again, not something I saw on my visit but which looks awesome in photographs (and in the brief video linked here).
All is not sad or lost: I was happy to learn in rounding up images to accompany this text that the fountain is operational again and has had its lighting system upgraded with modern LED and sequencing technology. But I have still only seen the functioning plaza and its various features in photographs: What I recall most is a chill wind so penetrating and miserable that I wondered why I'd ever left the airport.
Better luck next time?
The current generation of pond designers and installers tends to think big - often very big - and enjoy pursuing projects on large properties in which the basin and its accompanying streams and waterfalls create spaces so naturalistic that it seems like the water's been there forever. That's a noble goal - and one I pursue frequently in my projects for
'For years,' wrote Bruce Zaretsky to open his On the Level column in the January 2011 edition, WaterShapes 'has celebrated the beauty, majesty and positive potential of water in the landscape. We've seen it flowing down waterfalls, over vanishing edges, across slopes and through the air. We've seen what happens to colors immersed in it, how it creates shimmering light patterns, how it works its way over stone and, perhaps most important, the