WaterShapes Classic
Writing about droughts and water shortages in his March 2008 On the Level column, Bruce Zaretsky started by observing, ‘This turn of events has made me determined to design landscapes requiring as little water as possible – one consequence being that I now do all I can to avoid using large expanses of
‘In discussing coping and decking,’ noted David Tisherman in his February 2008 Details column, ‘ I invariably combine them because, in my view, they are truly inseparable: For a design to succeed, both must work together because they play such important roles in
‘Many great artists are best known for working in identifiable genres, styles or modes or with specific materials, themes or some other defining detail. From Picasso’s cubist abstractions to Mozart’s cascading melodies or Rodin’s bronzes to Frank Gehry’s sweeping architectural forms, geniuses of all stripes are in one way or another known for qualities that are
‘As you spend your days creating structures that contain and control water,’ wrote Brian Van Bower to open his January 2003 Aqua Culture column, ‘it’s easy to lose sight of the water itself. Yes, we’re conscious of the fact that we have to filter, treat and sometimes heat it, but in its role as the defining feature in our products, water is so familiar a participant that in some ways it almost becomes invisible.’ ‘I’d like to heighten our general awareness by
‘It seems that everyone’s talking about “sustainability” these days, with the usual thought being that, as exterior designers, good environmental stewardship must be one of our main missions.’ That’s the way Bruce Zaretsky opened his On the Level column five years ago before asking a string of key questions: ‘But what is sustainability? What do watershapers need to do to encompass this philosophy? As important, what does it mean to our clients, and where are
‘I’ve written several times in the past about the fact that more and more landscape architects and designers are getting into watershaping. As evidence,’ wrote Brian Van Bower in his Aqua Culture column for December 2007, ‘all you need to do is look at design-award competitions in the pool and spa industry and note the increasing
‘Not long ago, I was asked by a reporter from The New York Times to define the main difference between swimming pools now compared to what they were 20 years ago. As we talked,’ wrote David Tisherman in his Details column for the December 2007 edition of WaterShapes, ‘it became clear that she was mostly thinking about technological breakthroughs in pumps and chemical treatments and the like. ‘I confirmed for her that, yes, those products had come a long way. But I wouldn’t let her stop there, suggesting that there was much more than
‘Believe it or not,’ wrote Brian Van Bower in his Aqua Culture column for November/December 2002, ‘goals can guide almost everything we do, from how we schedule our time to how we establish our business and personal relationships or determine the things we
‘Those of us who are designers and builders of full-scale outdoor environments . . . face a distinct challenge: In our work for our clients, we are expected to provide the outline and details for a huge range of project elements, from watershapes and patios to plantings and walkways and more.’ That’s how Bruce Zaretsky began his On the Level column in WaterShapes’ November 2007 edition. ‘That list, at least so far as clients are concerned, also includes appropriate lighting, but that is not always something
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