surfaces
Artistic Paver Mfg. (North Miami Beach, FL) has unveiled PlankLock, a paver system designed to…
'You'd think that having lousy-looking deck drains was inescapable, given that about 99.9% of them look like a thing you'd find in your shower.' That's how David Tisherman launched into his Details column in the January/February issue of WaterShapes 15 years ago, and he didn't mince many words thereafter. 'Whether you're using PVC or brass grates, they disrupt the surface of any decking material and to my way of thinking are
Not long ago, I did a pair of columns on healing gardens and their benefits. If you’ll recall, I preached the importance of persuading hospitals in particular to include these spaces in their overall site plans as a means of providing garden environments for patients, patients’ families and hospital staff: These spaces reduce stress, help patients heal more quickly and give everyone who visits them a soothing sense of tranquility. I’ve attempted to the greatest extent possible to practice what I preached, and through the years I’ve installed numerous health-specific gardens at local assisted-living centers, Alzheimer’s care facilities and even at a center for emotionally-challenged children. But truth be told, I haven’t met with much success with our local hospitals, despite the fact that healing gardens have caught on with countless such facilities coast to coast. I don’t know quite why this is, but we
The avant-garde composer John Cage once said, “Art exists to make us aware of the very life we’re living.” I’ve always loved that statement because, as someone working to create works of art, the experiences of my own life have naturally been transferred into the way I’ve chosen to express myself – and, I hope, have enabled me to succeed in bringing other people to an awareness of experiences in their own lives. For me, water is the key in these transferences: Even though I’m probably more often described as a sculptor of natural stone rather than as a watershaper, the dialogues I have with the materials I use and with those who observe the outcomes have always begun with the way I work with water. I grew up in the Midwest on the banks of the Mississippi. As a child, I lingered on the untamed shores of the creeks, streams and rivers that laced across an otherwise developed and thoroughly mechanized landscape. I would read or draw, stroll idly along a stream, or spend hours building a raft or dam. This was well before I’d begun to think about my relationship with water in any sort of artistic way, but there’s no question that those experiences remain at the heart of my passion for working within this
It's an age-old paradox, this relationship between art and science. On the face of it, things artistic may seem solely the realm of high-flying thinkers and philosophers who spend their days at the far reaches of interpretation and meaning. By contrast, engineers and scientists would seem to be dealing purely in the certainties of what is quantifiable and real. The truth is, I don't know of a modern art form that doesn't involve technology of some kind. Conversely, most branches of modern science call upon researchers to apply a great deal of intuition and creativity to the processes of exploration and discovery. In other words, neither the arts nor the sciences could exist without ideas and disciplines derived from the other. That's especially true when it comes to water systems. Whether created for aesthetic or recreational purposes, art and science can come together here in a particularly compelling and interesting way. By combining technical disciplines with
