reflection
Everything I write about in these Travelogues is a personal experience, but this one in particular hits very close to home. I heard a lot about this sculpture, known now as "Heliconia Loop," for months as it was being created, following along avidly as the deadline for
I've never had much luck when it comes to using this time of year, as so many do, to take stock, review the year just ending or think in any significant way about what's to come with a fresh page on a newly printed calendar. The reasons for this are simple: WaterShapes exists in service to professionals who return the favor by
When I travel from Los Angeles to visit my mother, who lives across the sound from Seattle on Washington’s beautiful Bainbridge Island, I always do my best to stop by the Bloedel Reserve while I’m there. The Reserve is an internationally renowned public garden that puts its emphasis on
When asked what an "optical physicist" does, I sometimes reply that I'm basically a professional choreographer. What I choreograph, of course, is not lithe dancers in leotards and toe shoes, but rather the countless invisible balls of energy whose source, directly or indirectly, is our sun. That's a colorful description, but it accurately reflects the fact that I've spent my entire professional career coaxing, urging, manipulating and orchestrating light in a completely conscious manner with tools both simple and complex. Armed with a liberal arts education and majors in art history and American studies, I founded an industrial-laser company in 1983 and spent the next 18 years learning how to choreograph balls of energy into extremely precise line dances. There was nobody out there to teach us
Maximizing the potential of landscape lighting is always about thinking ahead - a philosophy that absolutely applies when it comes to planning and designing the lighting for a watershape. The process begins with a set of questions that should be considered at the outset of any project: Is the watershape to be the focal point of the composition, or is it to be one among equally important features such as plantings, sculptures or hardscape details? Is the feature to be visually prominent at night, or is it to blend in with the darkness? Will the water you are lighting be in motion, or are you working with a still surface? Observers and chief vantage points also come into play. If the feature will mostly be viewed from passing automobiles rather than by pedestrians, for example, the issue of glare must be directly considered for safety reasons. If the watershape is to be seen from a lit interior space, then we know that its lighting level must be equal to or greater than that of the interior lighting. Likewise, relative brightness is an issue in making the illuminated watershape work with the rest of an illuminated landscape. The most important need in all of this is for
It's a simple fact: No matter where you are on the globe, ultimately it's dark exactly half the time. So no matter how beautiful your watershapes may be, if you don't fully consider lighting as a key component of your projects, you may be robbing your work of half its potential for pleasing your clients. That makes it a bottom-line issue, because lighting adds real value to most any watershape installation with a long list of benefits. For starters, it extends the time a watershape can be used beyond daylight hours. It also adds
