preservation
I promise not to be insufferably happy in too many more of these blogs, but I have to say that the trade show I just attended as a new member of the Watershape University team was an over-the-moon experience for me. It has been decades since I can recall being even slightly
In our usual run of business as installers of stone and tile in and around New York City, we can get involved in projects that take years to complete and involve us in applying tens of thousands of square feet of material within or onto a single high-rise building. In some of these projects, a pool or spa comes as part of the package, but they tend to be such small parts of the overall picture that it's fairly tough to focus on them. This was not the case, however, in our work on the renovation of the swimming pool and spa in the historic Woolworth Building in lower Manhattan. When it opened in 1913, this was the tallest skyscraper on the city's skyline and held that distinction for 17 years. For a time, it was the
A brief, late-spring visit to San Francisco gave me the opportunity to be just a tourist there for the first time in many years. Judy and I stayed at a place near Golden Gate Park and spent a long, full day in its huge expanse, moving from one great and wonderful attraction to another. The fact that the Park's museums
There’s something truly wonderful about working on properties that are in one way or another historic: In a very real sense, they give you a rare opportunity to participate in the past while at the same time you are conceiving and forming a place for the future. This project is a case in point: My endeavors here gave me the chance to beautify a truly splendid 1905 private home in southern Wisconsin and complement its amazing Palladian/Greek Revival-style bone structure with a contemporary composition in rock, plant material and water. The owner, who has a passion for architecture and historic preservation, had already completed a total restoration of the buildings. The grounds, however, still left much to be desired. The property manager had worked with me on a previous project, and he suggested that I should be brought in to revitalize the space – the centerpiece of which would turn out to be
Of all the roles we watershapers and landscape professionals play in enhancing the basic value and character of the areas in which we work, I would argue these days that preserving the health and beauty of natural forms of water and their associated landscapes might well be the most significantly “green.” I live and work on New York’s Long Island, which is one of those fortunate places defined by natural beauty and abundant waterforms. With our pristine wetlands, bays, freshwater ponds and sand-dune-draped ocean vistas, it’s a place that’s long been treasured by residents and visitors alike. It’s also a place where I, as a local landscape architect, see my mission as one of creating spaces that please my clients by enhancing their properties while also fulfilling a responsibility to be a good steward of the environment on their behalf. Projects here typically involve working around environmental setbacks designed to protect natural bodies of water. While such rules are common to many areas across the country, here the enforcement is so stringent that it almost invariably shapes our designs and often calls for unusual serenity in dealing with regulatory agencies and inspectors – and for clear, effective communication with clients. In effect, we must reconcile
The renovation and restoration of historic watershapes and their surroundings is a rather peculiar specialty. After all, such projects don’t come along very often and never amount to enough to be considered a primary business focus. Even so, whenever and wherever they present themselves, those who get involved must always be ready to meet sets of very specific and often unusual challenges. The fact that these sites are historic, for instance, means that they also tend to be old, so they almost invariably come with surprises with respect to how they were originally built, what sort of remodeling and repair work has been done through the years, how they’ve been maintained and, often, the degree to which they’ve suffered from neglect or even abuse. Original plans can be hard to come by, so from the start there’s a need for a good bit of educated guesswork and a fair measure of improvisation. On top of that, you also have to be prepared to deal with members of any number of community organizations and historical societies ( not to mention concerned citizens, donors and benefactors) – all of whom have
