pool design
In my last two columns, I've gone to unusually length in describing my views of the design-preparation and presentation processes. This time, the subjects are more compact but, in practical terms, no less significant and vital: permits and contracts. We left the discussion last time at the point where I've shown my clients the design package and it's time for them to decide what to do. In most cases, they choose to build - the usual outcome for me because of the way I pre-qualified my clients and communicate clearly with them at every step of the way. In general, if you've done the right things to this point and the project reflects an informed knowledge of what is involved in
It may be a cliché, but I think there's something to be said for the notion that you need to know where you've been to see where you're going: The present and the future are always both a result of (and a response to) the past. For years, voices in this magazine have described, defined and advocated changes in the way the watershaping industry works. I, for one, have written volumes on what the pool and spa industry was once like and how the benefits of elevating our approaches flow to everyone from suppliers, designers and contractors to consumers as well. I've also meditated more than once on how professionals on the
It may be a cliché, but I think there's something to be said for the notion that you need to know where you've been to see where you're going: The present and the future are always both a result of (and a response to) the past. For years, voices in this magazine have described, defined and advocated changes in the way the watershaping industry works. I, for one, have written volumes on what the pool and spa industry was once like and how the benefits of elevating our approaches flow to everyone from suppliers, designers and contractors to consumers as well. I've also meditated more than once on how professionals on the
The design and installation of the circulation, filtration and chemical-treatment systems for the pools at St. Lucia's Jade Mountain was a task of monumental proportions and extreme technical, physical and logistical difficulty. The effort was spearheaded by watershaper/hydraulics expert Chris Barnes, who spent months on site installing precision systems engineered to provide years of nearly maintenance-free service. Installing the circulation systems for the pools at Jade Mountain was a challenge unlike any other. I was first approached about the project by my good friend, Skip Phillips, who explained that he had already been working on the project's design for several years and indicated that it was going to be something truly amazing. He observed that the owner and his design team didn't have anyone in place with any experience with the installation of extremely complex watershapes and suggested that I might be the one to step up to the challenge and keep
Looking for a surface material as unique as the resort itself, the designers of Jade Mountain turned to David Knox of Lightstreams to create completely original tile products for use in the structure's 25 vanishing-edge pools, with each one to have its own unique colors and optical qualities. Here, Knox describes the process of deploying glass tiles throughout one of the world's most unique and extensive watershape environments. For me, Jade Mountain is not simply a resort in St Lucia: It's more of a spiritual and artistic achievement - and one I helped fashion through a period of 15 months. I felt that sense of operating on a higher plane during my first visit to the parent resort, Anse Chastanet, in March 2005. There was something different about the project, just as there was
Looking for a surface material as unique as the resort itself, the designers of Jade Mountain turned to David Knox of Lightstreams to create completely original tile products for use in the structure's 25 vanishing-edge pools, with each one to have its own unique colors and optical qualities. Here, Knox describes the process of deploying glass tiles throughout one of the world's most unique and extensive watershape environments. For me, Jade Mountain is not simply a resort in St Lucia: It's more of a spiritual and artistic achievement - and one I helped fashion through a period of 15 months. I felt that sense of operating on a higher plane during my first visit to the parent resort, Anse Chastanet, in March 2005. There was something different about the project, just as there was
Last time, I described (at great length, as you may have noticed) what happens in the time between my initial phone conversation with clients and a point just ahead of my formal presentation of a design. It's an involved process that uses all of the information I've gleaned from my clients about what they want, what they think they need and what they ultimately expect to have in their backyard environments. It's about understanding the underlying circumstances, deciding what should be done and, finally, assembling all of that insight into a
Last time, I described (at great length, as you may have noticed) what happens in the time between my initial phone conversation with clients and a point just ahead of my formal presentation of a design. It's an involved process that uses all of the information I've gleaned from my clients about what they want, what they think they need and what they ultimately expect to have in their backyard environments. It's about understanding the underlying circumstances, deciding what should be done and, finally, assembling all of that insight into a
When I sit down with clients for our first face-to-face meeting, we discuss a range of issues that will guide me when I return to my studio and get down to designing a watershape and surrounding areas for them. We'll talk about colors, materials, the location of the pool, their preferences in art, the way they entertain and, perhaps most important of all, how they plan to use their backyard and swimming pool. Let's focus on that last point: When we talk about how a pool is going to be used, what I really want to know is how it will be used on a daily or weekly basis (for swimming, exercise, play or simply as a visual), not how it's going to be used once or twice each year when they throw a big pool party. My thought is that these clients will
When I sit down with clients for our first face-to-face meeting, we discuss a range of issues that will guide me when I return to my studio and get down to designing a watershape and surrounding areas for them. We'll talk about colors, materials, the location of the pool, their preferences in art, the way they entertain and, perhaps most important of all, how they plan to use their backyard and swimming pool. Let's focus on that last point: When we talk about how a pool is going to be used, what I really want to know is how it will be used on a daily or weekly basis (for swimming, exercise, play or simply as a visual), not how it's going to be used once or twice each year when they throw a big pool party. My thought is that these clients will
