music
This is my second Travelogue in a row that has resulted from a chance encounter. Last time, a visit to a Seattle-area green space with a big swingset led me to discover the water system at Downtown Bellevue Park; this time, a rendezvous for lunch with an old friend confronted me with the fountain at the Americana at Brand, a mixed-use
Compiled and written by Lenny Giteck Student Generates Electricity From Lap Swimmers' Waves
Business and pleasure have carried me to Atlanta more times than I can count through the past 30 years. On many of those occasions, I attended trade shows in the Georgia World Congress Center and found myself with enough time on my hands that I was able to enjoy Centennial Park, where people from all over the world once gathered to celebrate the Olympic Games of 1996. I'd seen this area before the Olympiad, and I must say that the degree to which the city remade itself to host this international showcase event is truly remarkable. Particularly welcomed is the abovementioned Centennial Park, a broad, open space that I've strolled through often enough that it feels a bit like home. I am persistently intrigued by the Fountain of Rings, the park's big, interactive waterfeature. Lots of times, I've seen the fountain teeming with kids running wild through varied jets of water, but on several occasions the timing's been right and I've caught one of the choreographed shows set to music of many descriptions. This fountain, some say, is the precursor to
Business and pleasure have carried me to Atlanta more times than I can count through the past 30 years. On many of those occasions, I attended trade shows in the Georgia World Congress Center and found myself with enough time on my hands that I was able to enjoy Centennial Park, where people from all over the world once gathered to celebrate the Olympic Games of 1996. I'd seen this area before the Olympiad, and I must say that the degree to which the city remade itself to host this international showcase event is truly remarkable. Particularly welcomed is the abovementioned Centennial Park, a broad, open space that I've strolled through often enough that it feels a bit like home. I am persistently intrigued by the Fountain of Rings, the park's big, interactive waterfeature. Lots of times, I've seen the fountain teeming with kids running wild through varied jets of water, but on several occasions the timing's been right and I've caught one of the choreographed shows set to music of many descriptions. This fountain, some say, is the precursor to
Part I: Setting the Course Theatrical vitality has to do with structuring stories and creating dramatic narratives that establish sensations of expectation, surprise and reward. It also involves the development of sympathetic, interesting characters as well as engagement in “the moment” – the feeling that a special and wonderful entertainment experience is unfolding before the audience in a specific time and place. Mastering all of that is a tall order under ordinary circumstances, so you can imagine how we felt in trying to help make it happen on the exposed, unpredictable stern deck of Oasis of the Seas – a prestigious ship that currently claims the title of world’s largest cruise liner. Fluidity – a Los Angeles-based water design studio – pursues unique, progressive projects for an international clientele that includes architects, landscape architects, civic institutions and real estate developers. Through the years, we’d had considerable experience with theatrical
Not to diminish the painted ponies of The Wizard of Oz, but Steve Mann’s hydraulophones are horses of a different color. These watershapes come in all sorts of shapes and sizes, from landmark centerpieces that have the sculptural grandeur of pipe organs all the way down to water-flutes that resemble brightly colored tadpoles. What’s most remarkable about these devices isn’t just their structural and artistic variety or the ways they look as visual art: It’s the sounds they make. At first, the natural comparison is to a pipe organ, but as you listen, a variety of shadings and other sonic reverberations emerge, slip and slide around you. What’s more, hydraulophones invite people to insert their fingers into the jetting water to shape the sound and squeeze out the shape of each note, and a variety of sonic textures are possible depending upon
Sometimes it's the most ordinary experiences that yield the most sublime memories - the pleasant surprise, a beautiful view, the warmth of the sun after a dip in the ocean. For me (and I suspect I'm not alone), these experiences occur
At a time when scores of American cities are still looking for ways to revive the faded glory of their urban cores, possible approaches are as visionary (and numerous) as can be. The process has resulted in new parks, major redevelopment, architectural restorations and a long list of other solutions - including the unique watershape commissioned by the city of White Plains, N.Y. A town with 54,000 full-time residents whose population swells to more than 200,000 during the day when office workers, shoppers and visitors come calling, White Plains made the decision to invest $4.5 million of public and private grant money in resurrecting a small downtown park. Appropriately named Renaissance Plaza, the park surrounds a state-of-the-art musical fountain unveiled in October 2003 for the specific purpose of luring people back to the downtown area - and it has worked. In fact, the plaza has become such a hub of activity that nearly 1,700 units of new residential housing are now under construction in its downtown neighborhood. URBAN OBJECTIVE First settled by British colonists who bought it from the Mohican tribe in 1683, this historically rich city located 25 miles north of Manhattan has truly been reborn, and it's with no small measure of
