Mark Holden
A few years ago, I made a conscious effort to turn my back on the narrow confines of the swimming pool industry and to focus instead on the profession of watershaping and its significantly broader foundation and expressive potential. It was a transition pushed both by
How many times have we seen a pile of artificial rocks plopped on the end or along the side of a freeform pool, left with no visual connection to anything else in the space? The answer, of course, is "countless times" - which prompts a far more important question: why? Why are we still seeing watershapes installed with edges that look to my eyes to be
In a previous edition of WaterShapes EXTRA!, I discussed the merits and deficiencies of Hearst Castle, and was quickly rewarded with a torrent of other peoples’ opinions. In all of the many comments I’ve seen, one thing is clear: Hearst Castle is
I just don't get Hearst Castle. Why should we celebrate the gross-scale purchases of historical artifacts and period-inspired structures by a wealthy American whose main pleasures seem to have involved amusing himself and overwhelming others? I am willing to concede that Hearst's San Simeon compound and collections impress
If you're looking for a destination that includes, all in one place, several of the most enduring and influential watershapes of all time, you couldn't go wrong in visiting Villa d'Este — without question one of the
Watershapers Must Grow or Go! (Part 2)