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For years, Montréal’s arts district has been the venue for music and theater performances, art exhibitions, festivals and all manner of cultural events. As part of a revitalization process in the area, notes David L’Heureux, the city recently unveiled the Place des Festivals and a spectacular watershape he and a distinguished design team built at its heart as a gathering place for residents and visitors of all ages and a civic focus for fun, relaxation and visual joy. Throughout North America in recent years, cities have turned to a variety of watershapes to enliven and, occasionally, revitalize their public spaces. These watershapes are more than the wonderful fountains long found in public parks and plazas. Indeed, the recent success of projects including Chicago’s Millennium Park and its ambitious combination of significant waterfeatures with gardens, architecture and art has demonstrated the tremendous potential that lies in crafting interesting, multi-functional places for people to gather. Canada offers a spectacular recent example of this trend in the form of
Challenged to develop a sculpture that would make a strong statement about the commissioning company’s expertise in engineering and motion-control technology, Michael Batchelor and Andrey Bererzowsky of Montreal’s SWON Design delivered a work of subtle beauty to an otherwise stark architectural context. Here’s a close look at the resulting medley of textured glass, sheeting water, gleaming steel and arcing jets, all set within curving ponds. With residential projects, the importance of understanding the character and focus of the client is widely recognized and appreciated. Although the scales are different and the “clients” may be committees, we’ve discovered that the same is basically true with commercial projects as well. A case in point is this project, which we completed for Parker Hannifin, the Mayfield, Ohio-based manufacturer of engineering components and a multi-billion-dollar company whose products are found on everything from Space Shuttles to precision industrial machinery. Appropriately, the sculpture we were asked to design was to reflect a highly refined, disciplined sense of beauty. We at SWON Design were first contacted by an independent marketing consultant, Karen Skunta, who was participating in the company’s effort to re-brand itself – a program that, in part, included