influences Archives - Water Shapes

These days, watershaper and landscape designer Robert Nonemaker is routinely called on by architects and landscape architects who want his firm to take their aquatic concepts and turn them into reality. Through the years, he says, this supportive participation has evolved to a point where there’s lots of creative give-and-take – and a regular seat at the table for him alongside other top-flight design consultants and construction specialists.

Role Playing

With few exceptions, the most satisfying projects we've undertaken through the years have come when our company has gotten involved with talented architects or landscape architects - and sometimes both - as part of larger project teams. We embrace this sort of work and enjoy taking a role as a resource for other professionals. Through the years, in fact, these collaborations have developed to a point where many of those we work with will automatically call us whenever one of their projects includes any sort of

Wanted: Water Artists

The way I see it, we watershapers can look at ourselves in one of two ways: as diggers of holes in the ground that hold water, or as artists working with one of the most exciting mediums on the planet. For a lot of reasons, I like the second of those options, because the first is passive - the sole goal being to contain the water - while the second gets me more deeply involved with a truly amazing and malleable material. Once we look at water the way a painter sees pigment or a sculptor views stone, we see a potential for dramatic contrasts: Water has a soothing effect, for example, yet it can be tremendously

Fear Not the Future

Not long ago, a gentleman who had attended one of the Genesis 3 schools was discussing an encounter he'd had with some other pool builders. Much to his surprise, one of the people he was talking to told him he'd been crazy for taking the time and spending the money to attend the school. To me, this is indicative of the sort of mentality that holds our industry back. What the Critic was saying was that his colleague was foolish to have attended the equivalent of a college-level course in aquatic design - a course designed to help him advance in his own line of work. It boggles the mind, like that whole "dead architect" question and the difficulty some people have in valuing what we can learn from designers who have gone before us. When I'm asked what we, as exalted pool builders at the turn of the millennium, have to learn from