fountain design

Sailing Grace
Challenged to develop a sculpture that would make a strong statement about the commissioning company’s expertise in engineering and motion-control technology, Michael Batchelor and Andrey Bererzowsky of Montreal’s SWON Design delivered a work of subtle beauty to an otherwise stark architectural context.  Here’s a close look at the resulting medley of textured glass, sheeting water, gleaming steel and arcing jets, all set within curving ponds.     With residential projects, the importance of understanding the character and focus of the client is widely recognized and appreciated.  Although the scales are different and the “clients” may be committees, we’ve discovered that the same is basically true with commercial projects as well.   A case in point is this project, which we completed for Parker Hannifin, the Mayfield, Ohio-based manufacturer of engineering components and a multi-billion-dollar company whose products are found on everything from Space Shuttles to precision industrial machinery.  Appropriately, the sculpture we were asked to design was to reflect a highly refined, disciplined sense of beauty. We at SWON Design were first contacted by an independent marketing consultant, Karen Skunta, who was participating in the company’s effort to re-brand itself – a program that, in part, included
A Human Touch
As a rule, those of us who build watershapes meant for purposes other than swimming or hydrotherapy tend to pursue one path or another:  Either we make our ponds, streams and waterfalls look as natural as we can manage, or we establish them to reveal the hand of man either partly or completely.  In that either/or context, successful design depends at least in part on being perfectly clear with ourselves about what we are trying to achieve. In assessing ponds of these opposing forms, it's my personal practice to look at both natural ponds and formal ponds (or, more accurately, architectural ponds) as being right on par with one another with respect to their potential for beauty.  Indeed, architectural ponds can be incredibly appealing when done up in such a way that
A Human Touch
As a rule, those of us who build watershapes meant for purposes other than swimming or hydrotherapy tend to pursue one path or another:  Either we make our ponds, streams and waterfalls look as natural as we can manage, or we establish them to reveal the hand of man either partly or completely.  In that either/or context, successful design depends at least in part on being perfectly clear with ourselves about what we are trying to achieve. In assessing ponds of these opposing forms, it's my personal practice to look at both natural ponds and formal ponds (or, more accurately, architectural ponds) as being right on par with one another with respect to their potential for beauty.  Indeed, architectural ponds can be incredibly appealing when done up in such a way that
A Human Touch
As a rule, those of us who build watershapes meant for purposes other than swimming or hydrotherapy tend to pursue one path or another:  Either we make our ponds, streams and waterfalls look as natural as we can manage, or we establish them to reveal the hand of man either partly or completely.  In that either/or context, successful design depends at least in part on being perfectly clear with ourselves about what we are trying to achieve. In assessing ponds of these opposing forms, it's my personal practice to look at both natural ponds and formal ponds (or, more accurately, architectural ponds) as being right on par with one another with respect to their potential for beauty.  Indeed, architectural ponds can be incredibly appealing when done up in such a way that
Garden Grandeur
In pre-Colonial days, the neck of the woods now known as Longwood Gardens was a hunting ground for the Lenni Lenape tribe, who prized the area for the richness of its game and timber. Once the British arrived, the land moved under the control of William Penn, founder (and namesake) of Pennsylvania, who sold it to a Quaker family by the name of Pierce in the year 1700.  The family farmed the property until 1798, when Joshua and Samuel Pierce began planting an arboretum and the space that would one day become Longwood Gardens was born. Those of us living in the Philadelphia area have long enjoyed the privilege of having this resource in nearby Kennett Square, Pa.  It's an amazing place, and I find my way there often because it seems that each time I go, there's something
Garden Grandeur
In pre-Colonial days, the neck of the woods now known as Longwood Gardens was a hunting ground for the Lenni Lenape tribe, who prized the area for the richness of its game and timber. Once the British arrived, the land moved under the control of William Penn, founder (and namesake) of Pennsylvania, who sold it to a Quaker family by the name of Pierce in the year 1700.  The family farmed the property until 1798, when Joshua and Samuel Pierce began planting an arboretum and the space that would one day become Longwood Gardens was born. Those of us living in the Philadelphia area have long enjoyed the privilege of having this resource in nearby Kennett Square, Pa.  It's an amazing place, and I find my way there often because it seems that each time I go, there's something
The Faces of Chicago: Larry O’Hearn’s Platinum Standard Project
In December 2004, WaterShapes introduced ‘The Platinum Standard,’ a registry of projects that embodies watershaping…
Architectural Grace: Roberto Burle Marx’s Platinum Standard Project
In December 2004, WaterShapes introduced ‘The Platinum Standard,’ a registry of projects that embodies watershaping…
A Cityscape Reborn: Claire Kahn Tuttle’s Platinum Standard Project
In December 2004, WaterShapes introduced ‘The Platinum Standard,’ a registry of projects that embodies watershaping…
Desert Moves
Throughout ancient times, water was central to the thinking of Arab, Persian, Moorish, Moghul and Turkish architects and designers, with largely anonymous representatives of each civilization preparing elaborate spaces with fountains, reflecting pools and other watershapes at their hearts.   In the past, these societies' greatest architectural works almost invariably featured elaborate watershapes that bespoke their technical skills as well as a general love affair with the beauty, luxury and necessity of water.  With new developments burgeoning across much of the Middle East these days, fountains and watershapes of all varieties are once again playing important roles in design as