education
I've heard it often enough in the past couple years that I'm becoming a believer: It looks as though more and more watershapers are finding seats at the design table and have become respected participants in water-related aspects of significant projects led by
If you haven't already heard, there are two huge development in the world of WaterShapes, the first having to do with a transition, the second with an addition. Both are exciting and please me more than I can say. First, as was announced a just few days ago, Eric Herman will soon come aboard
I promise not to be insufferably happy in too many more of these blogs, but I have to say that the trade show I just attended as a new member of the Watershape University team was an over-the-moon experience for me. It has been decades since I can recall being even slightly
Pond installation offers lots of opportunities for straying off the naturalistic path, but to me, there's no more problematic detour than the unfortunate "string-of-pearls" effect. When this happens, the edge of a pond looks more like Wilma Flintstone's rocky necklace than it does like the banks of a natural body of water. And it's a double shame, because the installer went to all the trouble of sourcing and placing natural material - but ended up with completely unnatural results. I've seen too many of these nightmare ponds through the years. Some are the result of a do-it-yourselfer's lack of awareness. It also happens with
The Number One question I have been asked since the announcement of the acquisition of WaterShapes by Watershape University is fairly blunt: "What does this mean for WaterShapes?" My usual answer is, "Not much - and everything!" The "not much" part pertains to the fact that
In August 1999, more than 30 professionals gathered at a small college in Southeastern Ohio to talk about water and absorb the rudiments of a collective "Philosophy of Design." Organized by The Whispering Crane Institute, the conference was as much about attitude as it was about the practicalities of designing with water. In attendance were Rick Anderson and Richard Dubé of the Whispering Crane Institute and the Genesis 3 team of Skip Phillips, Brian Van Bower and
Before I headed to New Orleans early in November, I contacted Bill Drakeley and Dave Peterson to see if they were available for dinner on Sunday night before the show opened. They were, and we met in a little bistro near the hotel where they were staying. I wanted more information about their new Watershape University, its relationships with other organizations and its ambitions moving forward. I had no inkling that, within days after the show concluded, they'd suggest
Deficits of Trust