design issues
In Part 1 of this article, we explored the nature and variety of the possible disagreements that can arise when couples really get down to the business of saying what they want in a backyard watershape or landscape project. (To see that item, click here.) These conflicts can be
Growing as a designer is often a matter of seeing things from fresh perspectives. As one with roots in the pool industry, for example, I once thought first about water and about plants and softscape later (if at all). That bias isn't uncommon, of course: I know plenty of landscape architects and designers who think about plants first and only later consider water. It all has to do with our
When people ask me how long it takes to create one of my sculptures, I sometimes like to answer, "My whole life." I've always loved art and started collecting it while still in high school, but I never imagined in those formative years that I'd become an artist myself. After all, I have no formal training, and to this day I can't draw - not well, at any rate. My first career was as a computer programmer, my second as a marketing consultant - both distinctly sedentary occupations that led me to seek something physical to do in my spare time. For whatever reason, I decided to try my hand at sculpting stone, crafting a few rough pieces and taking pleasure mostly from the hard work they involved. Right from the start, however, people
When people ask me how long it takes to create one of my sculptures, I sometimes like to answer, "My whole life." I've always loved art and started collecting it while still in high school, but I never imagined in those formative years that I'd become an artist myself. After all, I have no formal training, and to this day I can't draw - not well, at any rate. My first career was as a computer programmer, my second as a marketing consultant - both distinctly sedentary occupations that led me to seek something physical to do in my spare time. For whatever reason, I decided to try my hand at sculpting stone, crafting a few rough pieces and taking pleasure mostly from the hard work they involved. Right from the start, however, people
As part of my work on movies and television shows through the past dozen years, I've developed a range of special effects that focus specifically on fire. For the science fiction hit Men In Black, for example, I was charged with devising the flame-spewing weapons wielded by Tommy Lee Jones and Will Smith in a spectacular scene in which they shoot down a flying saucer. That system involved a range of safety issues along with devising a specially formulated fuel (alcohol mixed with various metals) to create blue flames as well as a combination of inert gases and electronic control systems that were used to extinguish the fire and protect the actors. As is the way with so much in Hollywood, an on-screen sequence that lasts just a couple of seconds took my team
