‘As you spend your days creating structures that contain and control water,’ wrote Brian Van Bower to open his January 2003 Aqua Culture column, ‘it’s easy to lose sight of the water itself. Yes, we’re conscious of the fact that we have to filter, treat and sometimes heat it, but in its role as the defining feature in our products, water is so familiar a participant that in some ways it almost becomes invisible.’ ‘I’d like to heighten our general awareness by
‘It seems that everyone’s talking about “sustainability” these days, with the usual thought being that, as exterior designers, good environmental stewardship must be one of our main missions.’ That’s the way Bruce Zaretsky opened his On the Level column five years ago before asking a string of key questions: ‘But what is sustainability? What do watershapers need to do to encompass this philosophy? As important, what does it mean to our clients, and where are
‘Not long ago, I was asked by a reporter from The New York Times to define the main difference between swimming pools now compared to what they were 20 years ago. As we talked,’ wrote David Tisherman in his Details column for the December 2007 edition of WaterShapes, ‘it became clear that she was mostly thinking about technological breakthroughs in pumps and chemical treatments and the like. ‘I confirmed for her that, yes, those products had come a long way. But I wouldn’t let her stop there, suggesting that there was much more than
‘Believe it or not,’ wrote Brian Van Bower in his Aqua Culture column for November/December 2002, ‘goals can guide almost everything we do, from how we schedule our time to how we establish our business and personal relationships or determine the things we
‘Those of us who are designers and builders of full-scale outdoor environments . . . face a distinct challenge: In our work for our clients, we are expected to provide the outline and details for a huge range of project elements, from watershapes and patios to plantings and walkways and more.’ That’s how Bruce Zaretsky began his On the Level column in WaterShapes’ November 2007 edition. ‘That list, at least so far as clients are concerned, also includes appropriate lighting, but that is not always something
Ten years ago, Bruce Zaretsky began his “On the Level” column with a question: ‘Have you ever turned down a client who really wanted to work with you and you alone? ‘It’s a hard thing to do,’ he wrote, ‘which is why most of us have found ourselves at one time or another saying “yes” despite the fact that we believe something the clients want simply cannot be done or, more important, that we’ve developed serious doubts about them. Just at that point where we really need to sit them down and tell them to go
‘When it comes to business,’ observed Stephanie Rose in her October 2002 Natural Companions column in WaterShapes, ‘I know that being a soloist carries me only so far: Rather, it’s the relationships I’ve established and maintained within the business community that have taken me beyond the
‘Color is amazing.’ That’s how David Tisherman began his September 2002 “Details” column for WaterShapes. ‘It provides us with some of greatest opportunities we ever have to create spaces that are emotionally evocative and visually compelling,’ he added, ‘yet it is also one of the most difficult design details to understand and put to good and effective use. ‘Trouble is, there’s no easy way to simplify the challenge: Color is indeed a tough nut to crack, and that’s as true
Stepping Up