‘I take a lot of pictures of my work – so many, in fact, that friends and colleagues often tease me about it.’ That’s how David Tisherman opened his Details column of June 2003, broaching a subject near and dear to his heart. ‘[W]hat may seem like an obsession to others seems like good, commonsense business practice to me. In fact,’ he continued, ‘I believe that every single designer and builder involved in the creation of quality watershapes should record his or her work photographically – and should make a point of doing so in a way that
If I've learned anything through the years, it's that a successful, truly satisfying project generally requires a good client and, quite often, a great project team. What the good client was after in the project discussed here was pretty simple - that is, an oval-shaped pool to go along with a large, oval-shaped shade structure another contractor was to install alongside it. Making a fine start, the client called in Skip Phillips of
‘Whenever I receive a call for an initial meeting about a potential project,’ began Stephanie Rose in her Natural Companions column of May 2003, ‘I always envision – before the client ever opens his or her mouth – that I will be adorning a multi-acre estate with a classic garden that will someday be written about in books and examined by
‘During a presentation to a recent conference for the swimming pool and spa industry, I tossed this nugget to the audience: “By a show of hands, how many of you in this room believe that most people think highly of our industry? Please be honest.” ’ That’s how Brian Van Bower began his Aqua Culture column in the May 2003 edition of WaterShapes. He continued: ‘It was a mixed group of more than 160 people representing
‘It’s an unfortunate fact that landscape architects receive little or no formal education in watershaping while they’re in school. As a result,’ began Mark Holden in his Currents column for the April 2008 issue of WaterShapes, ‘where the typical landscape architect’s irrigation plan will show every pipe, fitting, wire and component for a given project, that same project’s pool plan will carry almost no
‘Why is it that, on the pool/spa side of the watershaping business, it’s so difficult to find much by way of truly workable plans and specifications?’ That’s how Brian Van Bower started his Aqua Culture column in the April 2003 edition of WaterShapes before adding: ‘In residential work, of course, the tone is set by local building inspectors and plan checkers, whose needs seem to vary tremendously from place to place. But that’s no excuse for the fact that the plans used in a great many residential projects are grossly
Writing about droughts and water shortages in his March 2008 On the Level column, Bruce Zaretsky started by observing, ‘This turn of events has made me determined to design landscapes requiring as little water as possible – one consequence being that I now do all I can to avoid using large expanses of
‘In discussing coping and decking,’ noted David Tisherman in his February 2008 Details column, ‘ I invariably combine them because, in my view, they are truly inseparable: For a design to succeed, both must work together because they play such important roles in
‘Many great artists are best known for working in identifiable genres, styles or modes or with specific materials, themes or some other defining detail. From Picasso’s cubist abstractions to Mozart’s cascading melodies or Rodin’s bronzes to Frank Gehry’s sweeping architectural forms, geniuses of all stripes are in one way or another known for qualities that are
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