inspiration
'Not long ago,' wrote Brian Van Bower at the start of his Aqua Culture column for the November 2010 edition of WaterShapes, 'I was reminded in a big way of the importance of understanding the international nature of our industry.' 'It was July, and my Genesis 3 partners . . . and I were on the Gold Coast near Brisbane, Australia, presenting a program at the Splash! Conference - an experience that, once again, underscored the fact that
As a garden designer, I've often heard about wonderful English gardens, historic British designers and specific design styles that have radiated from England through the years. I've studied books, seen wonderful profiles in magazines and searched the web for photographs and descriptions, but in recent years, the modern miracles of frequent-flier miles and house swapping have enabled me to experience these truly marvelous gardens for myself. My family and I, in fact, have visited England ten times since our first trip there in 1999. Each trip has given me the opportunity to visit amazing and inspiring gardens in different areas of the country - an education in design that I have fully integrated into my garden-design practice with Blue Hill Design in northern California. For their part, the English people are very welcoming - and especially, it seems, to gardeners: Gardening hosts on television are major celebrities, garden shows draw enormous crowds in a country where everyone
Our early-summer trip to Yellowstone National Park was a revelation to me, pure and simple. As I related in my Travelogue for July 22 (click here), the thing that occurred to me is that the inspiration at Yellowstone comes less from
'The way I see it,' wrote Brian Van Bower to start his Aqua Culture column in August 2000, 'we watershapers can look at ourselves in one of two ways: as diggers of holes in the ground that hold water, or as artists working with one of the most exciting mediums on the planet. For a lot of reasons, I like the second of those options, because the first is passive - the sole goal being to contain the water - while the second gets me more
Maybe it has something to do with the fact that I can sometimes look like a rock outcropping myself: Whatever it is, I love working with big chunks of stone in my pond projects. More than any single design element I can deploy, there is no other component that's more important when it comes to making my work look as though it's been there
I can't begin to count the number of times our watershaping writers have explored the topic of travel, either as the source of clearer thinking or for the inspirational value of seeing how others have addressed specific design, engineering or construction challenges - or how Mother Nature
