constraints
'Back when WaterShapes was in its infancy, the idea that swimming pools and spas had much in common with other forms of contained water (including ponds, fountains and streams) was a true novelty: All of those worlds seemed light years apart.' That's how Brian Van Bower opened his Aqua Culture column in November 2008 before adding: '[T]hings have changed and there's now widespread recognition that these seemingly
'Back when WaterShapes was in its infancy, the idea that swimming pools and spas had much in common with other forms of contained water (including ponds, fountains and streams) was a true novelty: All of those worlds seemed light years apart.' That's how Brian Van Bower opened his Aqua Culture column in November 2008 before adding: '[T]hings have changed and there's now widespread recognition that these seemingly
'For years,' wrote Brian Van Bower to kick off his Aqua Culture column in the December 2005 edition of WaterShapes, 'conventional wisdom has held that many of the advances in watershape design incubate in the commercial realm and then slowly percolate over to the residential market as our clients ask for features they've seen on vacation and elsewhere.' 'That paradigm holds up to this day in many ways, but what's less acknowledged
Working in constrained spaces is entirely different from tackling projects that unfold in pastures where the only boundary might be a distant mountain or an ocean view. Indeed, in small areas that may be defined by fencing or walls or adjacent structures, the constrained field of view offers substantial aesthetic challenges to the designer in that every detail, each focal point, all material and color selections and every visual transition will be seen, basically forever, at very close range. When you're working small spaces, in other words, there's literally not much room for error. In this smaller context, each and every decision watershapers and clients make will subsequently be in direct view, and it's likely that each detail will take on special significance for the clients, positive or negative, as they live with the watershape over time. And on many occasions, what we're asked to start with as designers leaves much to be desired, including spaces already vexed by sensations of confinement, closeness or downright claustrophobia. To illustrate what I mean, let's take a look at two projects I recently completed in smallish yards for clients who wanted to
