computers
Most successful designers have a bit of show business in them. Whether you play the sophisticated artiste or radiate a quiet competence, it's all about making a connection with a client who is asking you to participate in a significant project, whatever your personality or approach. I've always wondered how those at the extremes of the personal-style spectrum find work, but the fact of the matter is that all of us, designers and clients alike, are individuals who respond in different ways to different triggers - and I know for a fact that the way I work isn't for everyone simply based on the fact that we don't win every contract we pursue. For all that, however, we at Lorax Design Group (Overland Park, Kans.) have developed our own pattern and have found that it works for us often enough to
‘As watershape designs have become more creative, more competitive and ultimately more valuable to our clients than we once were, it’s natural that we have started paying more attention to protecting our output.’ That’s how Brian Van Bower began in his July 2008 Aqua Culture column. He continued: ‘This is indeed a large and important issue for many people in our business, virtually to the point where watershapers are now facing the same sorts of concerns that have preoccupied architects and landscape architects for decades. And we’ve caught up with our colleagues at
In this day and age, designers have a variety of ways to communicate their ideas to clients - hand drawings, models and computer imagery among them. We also know every client is unique and that each has his or her own way of absorbing information and processing concepts. Although there are some who never fully understand a designer's vision until a project's been built, most clients will accept one style of design presentation or another and in some way visualize what's happening. In the project we're currently engaged in with an historic Spanish Colonial Revival home in Orange County, Calif., however, we at Holdenwater, a design firm based in Fullerton, Calif., have had to use four
In this day and age, designers have a variety of ways to communicate their ideas to clients - hand drawings, models and computer imagery among them. We also know every client is unique and that each has his or her own way of absorbing information and processing concepts. Although there are some who never fully understand a designer's vision until a project's been built, most clients will accept one style of design presentation or another and in some way visualize what's happening. In the project we're currently engaged in with an historic Spanish Colonial Revival home in Orange County, Calif., however, we at Holdenwater, a design firm based in Fullerton, Calif., have had to use four
