best practices
& William Drakeley The years after the Second World War were times of opportunity and awkwardness in the shotcrete business. From 1920 until the early 1950s, the Cement Gun Co. owned the trademark to "gunite" and established an aggressive licensing/franchising system to maintain as much control as it could over the process and profit from it to the greatest possible degree. By 1952, however - and apparently with
'Every single project I design and build,' wrote David Tisherman near the top of his Details column in July 2005, 'is fully, individually engineered, and I refuse to make any assumptions on my own about what might be needed in a set of plans to create a sound structure. If any builder anywhere thinks that he or she knows enough to get by without support from a structural engineer, well, that's just asking for trouble.' 'I know what I don't know, frankly, and I sleep well at night knowing that
The task highlighted in the video linked below - that is, the process of setting and leveling the skimmer - is right up there at the top of the list when it comes to determining the success or failure of a pond-installation project. In fact, it may be the most important of all with respect to aesthetics, because it's what sets the pond's water level and has a huge amount to do with how things will look to people who approach the water's edge. We don't do the digging for this part of the installation until
The task highlighted in the video linked below - that is, the process of setting and leveling the skimmer - is right up there at the top of the list when it comes to determining the success or failure of a pond-installation project. In fact, it may be the most important of all with respect to aesthetics, because it's what sets the pond's water level and has a huge amount to do with how things will look to people who approach the water's edge. We don't do the digging for this part of the installation until
The task highlighted in the video linked below - that is, the process of setting and leveling the skimmer - is right up there at the top of the list when it comes to determining the success or failure of a pond-installation project. In fact, it may be the most important of all with respect to aesthetics, because it's what sets the pond's water level and has a huge amount to do with how things will look to people who approach the water's edge. We don't do the digging for this part of the installation until
I love tile. For years, it has pushed all my creative buttons and fired my desire to learn everything I can about all of its forms. From my first days in the business to this very day, I’ve been inspired by its beauty, its rich history, the challenges involved in installing it perfectly and the potential it has to transform spaces. And it’s no stretch to say I’ve worked with tile most of my life, reaching all the way back to when I was 12 years old, mixing mud and cleaning tools for a neighbor who was at that time a prominent tile contractor in Los Angeles and Hawaii. As a teenager, I worked weekends and summers (when the surf was low), eventually picking up what I needed to know to complete installation jobs on my own. I tried a variety of other things – been in bands and played music around the world, designed sets in Hollywood, supervised a variety of construction projects, worked in a few restaurants. But I’ve always come back to tile, started my own installation business in the early 1980s and have been at it ever since. As I’ve learned more and grown in skill, I’ve come to see tile design and installation as
Deficits of Trust