Ponds, Streams & Waterfalls
LeRoy, N.Y., is an historic village that's most famous (or most notorious?) for being the birthplace of Jell-O. Far more significant to me, however, is the fact that the town is filled with beautiful 19th-century homes that run the architectural gamut from Colonial to Italianate to Victorian in style. It's a beautiful place, and the site of one of my firm's most unusual projects in recent memory. The home featured in this article is a Second Empire Italianate estimated to be about 140 years old. It's a prime example of 19th-century craftsmanship, from the Mansard roof with its scrolled cornices to the drive-through porte-cochere and the wraparound porch with its beefy wood railings. It's definitely an architectural treasure, filled with the kinds of details that have been lost as far as today's custom-built homes are concerned. Mindful of those special touches, we set about designing a similar level of detail into the landscaping in creating gardens and watershapes that brought real tranquility to
Looking for inspiration in an urban environment can leave a designer with precious few useful references. Take downtown Chicago, for example, where our indigenous waterfeature is Lake Michigan and our public art is too often plopped in the middle of concrete plazas. Be that as it may, I do my part by trying to introduce both water and art into my projects. So I was thrilled to be retained by Mary O'Shaughnessy, owner of the Wood Street Gallery in Chicago, to design a sculpture garden. I knew it would give me the chance to create a balanced, beautiful space - even though I also knew the job wouldn't be easy. What she wanted was a garden environment in which she could display and sell contemporary American sculpture - a place that would help clients visualize the way the art might look in their own gardens. As we dug deeper, we uncovered additional goals: It needed to be a space that would accommodate a changing variety and number of pieces; it had to be functional for large parties; and it had to incorporate and acknowledge the garden's urban neighborhood while still providing a sense of enclosure for gallery visitors (and, of course,
This past January, I had the pleasure of traveling to Tucson, Ariz., to attend the annual conference of the Association of Professional Landscape Designers. The focus of this year's conference was the use of water in landscape design, and the program appropriately featured an interesting mix of experts on swimming pools, fountains and water gardening. To be honest, I didn't know what to expect when I signed on. I'd only been to one landscape event before, and much of that trade and the people in it have been mostly unfamiliar to me. As it turned out, however, this conference was
Of all the sports, there's none that relies more on the art of landscaping than golf. The contours of the land, the style, size and placement of plantings, the use of elaborate stonework and the installation of substantial bodies of water often define not only the competitive challenge of the game but the ambiance and character of the entire golfing experience. This is especially true of championship golf courses, where designers seek ways to stretch the envelope in terms of the way the game is played and in the physical beauty of the courses themselves. In their search for true distinction, many have turned to the use of
Now comes the fun part. The final stage of building a stream is where all of the planning and close attention to the stream's earthen substructure, transitions in elevation, liner alignment and hydraulics come into play as you move to build in details that effectively mimic nature. In the first two installments of this series (click here for part 1, here for part 2), I discussed in detail how you excavate and grade the site, place the major transition stones, lay in the liner and install
I believe that what we strive for in our watershapes is evident in the paintings and sculpture of the great masters. The harmony, the beauty, the drama, the excitement of the senses, the total captivation of the viewer create an experience we call great art. The more we can reflect on this work and use it as a lofty benchmark, the more effective our watershapes become. I've always believed that the best way to work at the highest level is to follow the tenets of
Believe it or not, I became involved with this project because my nine-year-old daughter, Savannah, plays tackle football. I was watching one of her games when I overheard a teammate's father talking about a renovation at the Palm Beach Zoo. Joining the conversation, I learned that he owned a general contracting company that builds large commercial projects and that he'd been hired to renovate the zoo's parking lot and utility infrastructure and build an exhibit facility for two Bengal tigers. It was, he told me, the first phase of a long-term plan to upgrade the zoo at Dreher Park, a complex that also includes a planetarium and a museum. The work at the zoo, he said, was one phase of an effort by the city to create a quality facility that ultimately could serve as a low-cost alternative to Orlando's theme parks. As part of the project, my new friend's firm also was acting as general contractor in the construction of a new tiger pen, the first of a series of new display areas planned for the modest zoo. When he talked about the watershapes involved, I jumped: The design
As is the case with a stream's aesthetics, the functionality of any multi-level, gravity-driven waterway must be considered from the outset of any project. After all, no matter how natural and beguiling a stream may be in appearance, if it doesn't hold water, work properly in terms of hydraulics and filtration or provide ecological balance, the whole thing can and will become a nightmare. Fortunately, making streams work isn't all that difficult - as long as you keep your eye on a critical set of fundamentals. Last time, we laid out the stream course, created
Building a stream that looks as though it was actually completed by Mother Nature is no small challenge. To make the illusion work, the watershaper quite literally "shapes" the basic elements of the stream - its path, width, depth, outcroppings, falls, transitions and plantings - all with an eye toward mimicking natural designs. To a large degree, the process is different from that of designing and building a pond, pool or fountain. In those cases, the watershape generally goes in the ground almost exactly where and how it's been drawn. With streams, however, the differences between
As I see it, there are six main types of watershapes: pools, spas, fountains, ponds, waterfalls and streams. Although there is tremendous variety within each category, I think most of us in the business would put pools, spas and fountains in one sub-group and ponds, waterfalls, and streams in another. Obviously, there's room for overlapping here - waterfalls installed with pools, for example, or fountains in the middle of ponds. The key distinction for me, however, is the closeness with which a pond, waterfall or stream must imitate
