WaterShapes
Something inspired and inspiring is happening in the watershaping industry - something I doubt has ever really happened before: In almost every encounter I have with industry people lately (and believe me, I've seen a lot of you in the past few months), I get the palpable sense of a passion that is driving all of us in a process of creative and professional growth. I see it in the enthusiasm my fellow watershapers have for what they're doing, and I see it being directly translated into their projects and, perhaps most important, being conveyed to their clients and the attitudes everyone has about the results. From where I sit, this is a spectacular time to be in this business, and that notion has been reinforced countless times in the recent past. I received a concentrated dose of this broad impression during the
The 19th Century poet Eden Phillpotts once wrote, "The universe is full of magical things, patiently waiting for our wits to grow sharper." I've always loved that line and the way it shines a light on the rewards of
The 19th Century poet Eden Phillpotts once wrote, "The universe is full of magical things, patiently waiting for our wits to grow sharper." I've always loved that line and the way it shines a light on the rewards of
I believe it's fair to say that many of us who are now in the business of creating naturalistic watershapes have been intensely influenced and inspired by experiences we had as children playing near streams, waterfalls and ponds. That was certainly true for me as a kid growing up on Long Island, N.Y., where I was constantly exposed to beautiful natural bodies of water. When I grew up, I found myself in the entertainment industry for several years. It was exciting at times, but no matter where I went, I always felt myself being drawn back to
In a real sense, I want to build antiques: My goal in designing and shaping water walls has always been to develop systems of beauty that will be around and appreciated decades or even centuries from now. Not only are they built to the highest standards of quality - as are many antiques - but they're also meant to hold running water year after year. I don't know who created the first water wall, but my best guess is that they've been produced in one form or another since the late 1960s or early '70s. I became aware of them in the early '80s, at which point a number of craftspeople were making them from stone, copper, and bronze. Some of these products aspired to be works of sculptural art, but for the most part I thought that the medium's artistic potential hadn't been fully explored or expressed. My idea at the time was to expand the concept with respect to shapes, sizes, materials and styles. I also wanted to check into the possibilities of combining
In a real sense, I want to build antiques: My goal in designing and shaping water walls has always been to develop systems of beauty that will be around and appreciated decades or even centuries from now. Not only are they built to the highest standards of quality - as are many antiques - but they're also meant to hold running water year after year. I don't know who created the first water wall, but my best guess is that they've been produced in one form or another since the late 1960s or early '70s. I became aware of them in the early '80s, at which point a number of craftspeople were making them from stone, copper, and bronze. Some of these products aspired to be works of sculptural art, but for the most part I thought that the medium's artistic potential hadn't been fully explored or expressed. My idea at the time was to expand the concept with respect to shapes, sizes, materials and styles. I also wanted to check into the possibilities of combining
It's a tale of two visions. One contingent in the family wanted a formal, architectural pool that would reflect the geometry of the home. The other wanted to borrow the natural look of the lake and rock formations that flowed down the sloping backyard. Such divergent themes are generally difficult to blend into a coherent design, but I managed to do it with a little help from some friends. The project, which involves placing a formal, geometric pool atop a formation of artificial rock that looms over a grotto and lagoon-like pool below, is still under construction at this writing. At this point, I'd have to say that the results should be just as spectacular as the design process was arduous. My company is based in Raleigh, N.C., which, although it is hardly a backwater, is not exactly at the epicenter of watershape design or construction expertise. To integrate this diverse clutch of elements, I felt a need to