visualizing

The Currency of Beauty
By David Tisherman ‘Watershaping isn’t a job to me,’ wrote David Tisherman in the March 2002 edition of WaterShapes. ‘It’s my passion, which explains why I’m so obsessed with steel and concrete and water and what I can
Envisioned Environment
No matter how firm a focus you maintain on making a pond into a safe, comfortable home for frogs, there's always the need to keep at least one eye (if not both) on the way the pond looks.  My goal, as I discuss in some detail in the video linked below, is to make every watershape I produce look as though it belongs where I've put it, as though the pond
By Contrast
Practice makes perfect when it comes to developing the observational skills you need to support your design acumen.   As I discussed last month, honing these abilities enables a designer to see individual and collective shapes within a garden setting in ways that can enhance the overall appearance of plant/hardscape combinations and turn them into cohesive and more compelling visual compositions. Among all of those artistic abilities is one specific skill that has served me best and will be my subject in this column:  That is, the ability to determine the level of contrast my clients want to see in their garden spaces.   As an artist, I've always been inspired by the areas in paintings that display the
Blissful Visions
For as long as I can remember, I've fantasized about owning my own swimming pool. I suppose such daydreams are the natural