visual appeal
When we get involved in backyard projects, it's rare these days that we don't have a fairly high level of creative control: We're the ones who figure out where to place the pool, what shape it should have, how it should be finished and what should surround it with respect to the hardscape and landscaping and even the furnishings. That's why it's a bit funny that this is the second in a pair of projects we've recently published through WaterShapes in which many of the fundamental shots were called by others - in this case by a talented home-construction firm that brought us in after the footprint for the pool and spa had been
As watershapers, we're comfortable using our chosen medium as a place-maker, an entertainer and a resource for recreation. In doing so, we take advantage of the fact that water is a unique, extremely versatile substance that can be manipulated in innumerable ways. We also accommodate the thought that, supreme among design media, water has a pronounced and often profound effect on people who
Crystal Fountains (Toronto, Ontario, Canada) manufactures the Model WMT122 Fyrefly Jet to bring multiple streams…
With some details, seeing is believing. That's certainly the case with the one we'll consider in this column, where the images will do much of the work in defining a simple but elegant way of making a statement with any raised bond beam or wall. Yet again, it's testimonial to the good things that happen when watershapers know how to control materials and infuse their work with visual appeal. Most of the time when pool people build small or medium-size walls, they'll automatically be topped with some form of coping or capstone - anything from poured-in-place concrete or stone to brick or some pre-fabricated coping. Many of these walls are
When I first walked the four acres of wooded ravines of what would later be christened "The Garden of Wind and Pine" at the heart of the Garvan Woodland Gardens in Hot Springs, Ark., I was both delighted and daunted by the experience. The delight came in the site's sublime natural beauty, which reminded me of tromping through the woods as a child - an activity I enjoy to this day. As for my sense of unease, I don't know which was more significant: the expansiveness of the dry drainage ravines that were to be converted to ever-varying cascades and streams, or the omnipresence of ticks and poison ivy. When I made my first visit in the fall of 1999, the site was part of an undeveloped 210-acre woodland parcel on the shore of Lake Hamilton given to the Department of Landscape Architecture at the University of Arkansas in Fayetteville by Verna Garvan. She had long seen the peninsula as the ideal setting for a botanical garden and had spent two decades developing her vision, planting camellias and azaleas and a rose garden and commissioning a pavilion by the architect Fay Jones and his partner, Maurice Jennings. I had worked in Fayetteville before, crafting a
