Spanish Colonial Revival
‘Project of a lifetime” may not be enough to describe our work at Cima del Mundo. [T]he hilltop home had experienced many changes since its original construction in 1925, including service as a makeshift monastery as well as a stretch of years in which the property was abandoned and allowed to go almost disastrously to seed. In all its history, however, the estate has never been through as much by way of transformation as it has
In the first entry in this series of articles, we opened a discussion of the hurdles watershapers encounter when attempting to integrate pools or spas with architectural styles that historically never had swimming pools
It might be something of a cliché, but it's often said that there's great wisdom in being willing and able to learn the lessons of history. In that spirit, I recently took advantage of an opportunity to sit in on a class in the
The history of residential architecture took a real turn toward mass production with the emergence of the modern suburb early in the 20th Century. Especially in the years after World War II, middleclass families increasingly left urban congestion behind and headed for open outlying areas where developers were hard at work in preparation for their arrival. Some developers put distinct stylistic stamps on the neighborhoods and communities they were building. Among the most popular and recognizable of these styles was the Spanish Colonial Revival - a look that has special prominence on the West Coast but that has surfaced throughout the United States and in places as far flung as Europe and China. This style is so popular and has been used so much in so many variations that it is, these days, tough to nail down exactly what is or is not true to early Spanish Colonial motifs and ideas. That's not surprising, because this malleable style itself represents a cobbling together of ideas borrowed from Roman, Islamic and even Native American cultures. Those deep roots, coupled with a scattering of design focus that has blurred borders and distinctions and any sense of stylistic purity, makes it tough for 21st-century watershapers and other designers to
I never really thought much about the plants and trees surrounding me until I started edging my way toward the landscape-design business. Growing up, I'd look out my bedroom window and into our backyard and see plants and trees, but I didn't know that they were called Junipers or Giant Birds of Paradise or Ficus trees. They all looked pretty much the same to me - a generic veil of greenery. My path of discovery began when I bought my first house on Long Island. All of a sudden, there were rules about
I was hired recently to work on a substantial restoration project in a prominent Los Angeles neighborhood. I'd worked previously with the architect on a large estate, and he had referred me to the homeowners. After a couple of meetings, we determined we were all a good fit, and I was hired to design the exterior spaces of the home in collaboration with the architect, the contractor and the decorator. About a month into the project, the interior decorator was let go in favor of a restoration specialist. By that time, it was clear that many of the design decisions being made were not in keeping with
For more than two full years, this project was my personal and professional obsession. It all started in 1993, when my client, a wealthy recording-industry magnate, called on me to design the landscape for a property he'd just acquired in Bel Air, one of the most exclusive neighborhoods in Los Angeles. The Spanish Colonial-style home had been built in the 1920s and was in a sad state of disrepair. By the time I arrived, it had been gutted to the studs, and very nearly all of the hardscape and plantings around the house had been torn out as well. What he was offering me was a tantalizingly blank canvas in a most spectacular setting. In the two years that followed, not only would we
Occasionally, we run pairs or sets of articles that seem to have nothing in common at first glance, but that actually, on closer examination, harmonize in unexpected and important ways. To be sure, we quite deliberately revisit key themes throughout the pages of all of our issues, but sometimes, it seems, the most powerful music
